In this project Barrada focused her lens on the corporate logos on the buses that shuttle between Morocco and destinations in Europe. For the illiterate in Tangier wishing to cross the border illegally, the colorful modernist logos serve as directional tools, identifying the different bus lines and destinations and allowing the migrants to plan their routes of escape. These abstract pictures function as powerful visual metonyms of the global phenomenon of migration and the lingering reverberations of colonialism in Africa.