Welcome to MoMA.org. To take full advantage of all the site’s features, including the option to save works in the collection, please upgrade your browser to Firefox, Google Chrome, Safari, or Internet Explorer 9. See our help page for more information.
The 4 impressions of varying states labeled "HC" in red ink, in the artist's hand, are not conventional H.C. impressions, which would be of the final state.
State Changes and Additions:
Changes from state VIII by burnishing: former platform base line removed. Additions in red ink: knob at top of bell jar-like form filled in, anticipating state XI; figure's hair further delineated; bell jar-like form outline and staircase reinforced.
Other Remarks:
According to Louise Bourgeois’s assistant, Jerry Gorovoy, the bell jar-like form in “Hair” was not done in conjunction with Bourgeois’s monumental sculptural installation for Tate Modern’s Turbine Hall, in 2000. In that installation, each of three huge steel towers included, within it, a small sculpture depicting a mother and child inside a bell jar. Bourgeois’s print “Do Not Abandon Me,” with similar imagery and seen here in Related Works in the Catalogue, does have a direct relationship to the Tate installation.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).