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The 4 impressions of varying states labeled "HC" in red ink, in the artist's hand, are not conventional H.C. impressions, which would be of the final state.
State Changes and Additions:
Changes from state III in drypoint: figure further delineated, with legs lengthened. Additions in pencil: platform further delineated; railing reconfigured at upper right, anticipating state V; interior oval on platform floor reinforced, anticipating state VI; platform extended, anticipating state VII; figure's hair further delineated, anticipating state X; platform base shaded in.
Other Remarks:
According to Louise Bourgeois’s assistant, Jerry Gorovoy, the bell jar-like form in “Hair” was not done in conjunction with Bourgeois’s monumental sculptural installation for Tate Modern’s Turbine Hall, in 2000. In that installation, each of three huge steel towers included, within it, a small sculpture depicting a mother and child inside a bell jar. Bourgeois’s print “Do Not Abandon Me,” with similar imagery and seen here in Related Works in the Catalogue, does have a direct relationship to the Tate installation.
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