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5 known variant impressions of state II, outside the edition
Impression:
Not numbered
Edition Information:
The printer’s documentation sheet lists five trial proofs, as follows: 1. Black Background, white and black shapes 2. Black Background with color notations on shapes 3. Black background with red and blue shapes sewn on 4-5. Blue background with red and blue shapes
Proofs number 1 and 3 possibly correspond with state I and II, variant, respectively, in the Evolving Composition Diagram below. Proofs 2, 4, and 5 were not located and could not be examined.
State Changes and Additions:
Changes from state I, in lithography: additional spiral form delineated in far right composition.
Curatorial Remarks:
This composition was initially printed in black, white, and gray, on white paper. It was then printed two additional times: in white ink on blue paper, and in white ink on red paper. Woodcut was used to add texture to the solid background areas. Wood grain is visible using the zoom feature. Separate compositional elements of the blue and red impressions were cut out and then sewn on top of the initial black, white, and gray impression. Hand additions in various colors were applied to further delineate shadows and highlights.
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
229.1996
This Work in Other Collections:
The British Museum, London National Gallery of Victoria, Melbourne, Australia National Museum of Women in the Arts, Washington, DC
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