LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Alternate Title:

Spying

Descriptive Title:

Toilette

Themes:

Architecture, Figures, Objects

Techniques:

Drypoint

Description:

Drypoint

Support:

Smooth, wove Somerset paper

Dimensions:

plate: 5 11/16 x 3 5/8" (14.5 x 9.2 cm); sheet: 16 1/4 x 11 5/8" (41.3 x 29.5 cm)

Signature:

"LB." lower right margin, pencil.

Publisher:

Peter Blum Edition, New York

Printer:

Harlan & Weaver, New York

Edition:

35; plus 10 H.C.

Impression:

"III/X" lower left margin, pencil, unknown hand.

Edition Information:

There is 1 known impression of state V, outside the edition, in MoMA's Collection (Accession Number: 638.2008). It is not illustrated, due to its similiarity to the impression seen here.

State Changes and Additions:

Changes from state IV, in drypoint: face added in window and mirror.

Background:

Bourgeois was often inspired by the subjects of early drawings when creating works at much later dates. This 1994 portfolio is an example of a project based primarily on drawings from the 1940s and referring to her life in New York at that time. The exceptions are as follows: plate 1, based on a drawing from 1986 that references childbirth; plates 4 and 9, based on drawings from the 1940s but depicting memories of her childhood years in France; plate 11, most probably based on a drawing from the 1940s of a European hotel desk.

Artist’s Remarks:

While looking at state III of this composition prior to its inclusion in the portfolio "Autobiographical Series," Bourgeois recalled, "This is a girlhood memory... but it is only a partial recall... some things are missing. Where is the pail for emptying the water? And where is the table that the bowl could fit down in? We also used a big tub, with handles, on the floor.
But she is more interested in the pleasure element than in the cleaning element... this is about the beautiful hair, of course.... The little face looking in... he is not laughing at her... he is looking at her because she is beautiful. But he cannot pull a fast one on anybody... his face is registered there in the mirror!" (Quotes cited in Wye, Deborah and Carol Smith. "The Prints of Louise Bourgeois." New York: The Museum of Modern Art, 1994, p. 233.)

Installation Remarks:

The prints in this portfolio can be shown as a group or individually. There is no required sequence.

Curatorial Remarks:

Of the 14 plates in "Autobiographical Series," Bourgeois titled plates 6 and 12. The untitled plates have been assigned descriptive titles for cataloguing purposes.

The alternate title "Spying" was given by the artist, as cited in Wye and Smith, The Prints of Louise Bourgeois, 1994, p. 233.

Bibliography:

Malbert, Roger, and Juliet Mitchell. "Louise Bourgeois: Autobiographical Prints." London: Hayward, 2016. (Catalogue accompanying the touring exhibition "Louise Bourgeois Prints: Autobiographical Series and 11 Drypoints".)

MoMA Credit Line:

Gift of the artist

MoMA Accession Number:

74.1997.9

This Work in Other Collections:

Kunstmuseum Bern, Switzerland
Musée d'art contemporain de Montréal, Québec
Museu da Gravura Cidade de Curitiba, Brazil
Tate Modern, London

© The Easton Foundation/VAGA at ARS, NY