Louise Bourgeois. Untitled (2007)

Select a search filter from the categories below.

Years		Themes		Techniques		Featured Printers & Publishers
1930s–1970s 1980s 1990s 2000s		Abstraction Animals & Insects Architecture Body Parts Fabric Works Faces & Portraits Figures Motherhood & Family Music Nature Objects Spiders Spirals Words		Aquatint Digital Drypoint Engraving Etching Lithography Photogravure Relief Screenprint Other Techniques		Atelier 17 Carolina Nitsch Editions Dyenamix Harlan & Weaver Lison Editions Louise Bourgeois Osiris Peter Blum Edition Procuniar Workshop SOLO Impression Wingate Studio

Showing 1 of 1

NOT IN MoMA'S COLLECTION

Cat. No. 1305

Untitled

State/Variant:: Only state
Date:: 2007

Themes:: Abstraction, Spirals
Techniques:: Aquatint
Description:: Aquatint
Support:: Paper
Dimensions:: sheet: 41 7/8 × 32" (106.4 × 81.3 cm)
Signature:: "Louise Bourgeois" lower right comp., to lower right margin, pencil.
Inscription:: "first proof" left lower margin, pencil, artist's hand.
Publisher:: Osiris, New York
Printer:: Wingate Studio, Hinsdale, NH
Edition:: 1 known impression of the only state, outside the unique variants
Impression:: Not numbered
Edition Information:: Not issued as a published edition.

The plate used for this composition also appears, in reverse orientation, in 5 unique variants. In 2 of these unique variants it is printed with a second plate, Untitled, 2007, in Related Works in the Catalogue. When the plate is printed alone, the work appears in the Evolving Composition Diagram; when it is printed with the second plate, it appears in Related Works in the Catalogue.

See Evolving Composition Diagram:
"Mirror Couple"
"Mirror Mirror"
"Sculpture en Plein Air"

See Related Works in the Catalogue:
Untitled
“Je Tombe dans tes Bras”
"The Encounter"
Background:: Benjamin Shiff, the director of the Osiris imprint, collaborated with Bourgeois in a highly experimental phase of printmaking that occupied the last years of her life, from 2005 to 2010. He first established a working relationship with the artist in the 1990s, but the late period is particularly noteworthy for the innovative and complex large-scale projects that evolved at that time. Shiff made use of professional workshops for printing, but he oversaw the creation of the printing plates as Bourgeois worked on them in her home studio. He also provided assistance as she added extensive hand additions and texts, and as she combined individual compositions into multi-panel works and illustrated books.
Curatorial Remarks:: The plate size and paper type could not be documented because this work is not in MoMA's Collection and could not be examined in person. The sheet dimensions were provided by the Louise Bourgeois Studio.