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David Porter, who commissioned this greeting card, came to know the artist when he worked at Public Works News in New York. He had a Bourgeois lithograph hanging in his office (according to an undated letter in MoMA Collection records). As a dealer in Washington, D.C., he organized the 1945 exhibition "Personal Statement: Painting Prophecy 1950," which included "Natural History #2," seen in Related Works in Other Mediums below. (To read the artist's statement from the exhibition catalogue, see Marie-Laure Bernadac and Hans-Ulrich Obrist's "Destruction of the Father/Reconstruction of the Father: Writings and Interviews, 1923-1997." London: Violette, 1998, p. 44.) Bourgeois did not know whether, as planned, Porter actually had greeting cards made using her design.
Curatorial Remarks:
The paper type and sheet size could not be documented because this work is not in MoMA's Collection and could not be examined in person.
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