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LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Louise Bourgeois: Complete Books & Prints
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NOT IN MoMA'S COLLECTION

Cat. No. 1121, in 1110

Untitled, plate 12 of 17, from the illustrated book, Hang On

State/Variant:
Only state
Date:
2004
Illustrated Book:
Hang On (View All)
Alternate Title:
Hang On
Themes:
Body Parts
Techniques:
Etching
Description:
Soft ground etching, with colored pencil additions
Support:
Paper, mounted on handmade Dieu Donné paper
Dimensions:
plate: 29 13/16 × 21 13/16" (75.7 × 55.4 cm); sheet: 33 × 54" (83.8 × 137.2 cm)
Signature:
"LB" lower right comp., pencil.
Publisher:
Osiris, New York
Printer:
Wingate Studio, Hinsdale, NH
Edition:
9 (see Edition Information)
Impression:
"set #1" verso, artist's hand.
Edition Information:
This plate was issued in this illustrated book and as 3 separate editions, all titled "Hang On!"

About the illustrated book edition:
Of the announced edition of 9 unbound and 12 bound, only 9 unbound examples were realized.

There are varying hand additions across the edition of illustrated books. Impression number 5/9 was also available for examination by MoMA cataloguers, but was not available for reproduction. In that example, plate 12 has selective wiping and red crayon additions.

About the edition of 12:
The hand additions vary across this edition. For comparison, see multiple impressions in the Evolving Composition Diagram below. Bourgeois and the publisher designated each impression in this edition as a study. (Usually in this catalogue, the term study describes photocopies and tracings that were used in the process of developing a composition.)

About the edition of 7:
This edition is printed in black ink and numbered in Arabic numerals. There are slightly varying pencil additions on each.

About the edition of 5:
This edition is printed in red ink and numbered in Roman numerals. There are slightly varying colored pencil additions on each.

There are two proofs before the editioning of the only state in the various editions. The black ink proof is seen in the Evolving Composition Diagram below. The other known proof is printed in red ink and is not illustrated here.
Pagination:
Page 11 of 17.
Background:
The text in "Hang On" is from notebooks and loose sheets written in the 1960s, combined with spontaneous phrases written at the time of publication.
Curatorial Remarks:
The hand additions, paper type, and impression number could not be fully documented because this work is not in MoMA's Collection and could not be examined in person.

Hang On!; Untitled, plate 12 of 17, from the illustrated book, Hang On
2002-2004

Source
1959

NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On. 1959
NOT IN MoMA'S COLLECTION Hang On
Charcoal on tracing paper mounted on board
1959

States

NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On! 2002
NOT IN MoMA'S COLLECTION Hang On!
Only state
2002
Published NOT IN MoMA'S COLLECTION Louise Bourgeois. Untitled, plate 12 of 17, from the illustrated book, Hang On. 2004
NOT IN MoMA'S COLLECTION Untitled, plate 12 of 17, from the illustrated book, Hang On
Only state
2004
Published NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On! 2005
NOT IN MoMA'S COLLECTION Hang On!
Only state
2005
Published NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On! 2005
NOT IN MoMA'S COLLECTION Hang On!
Only state
2005
Published NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On! 2005
NOT IN MoMA'S COLLECTION Hang On!
Only state
2005
Published NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On! 2005
NOT IN MoMA'S COLLECTION Hang On!
Only state
2005
Published NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On! 2005
NOT IN MoMA'S COLLECTION Hang On!
Only state
2005
Published NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On! 2005
NOT IN MoMA'S COLLECTION Hang On!
Only state
2005

Illustrated Book
2004

NOT IN MoMA'S COLLECTION Louise Bourgeois. Hang On. 2004
NOT IN MoMA'S COLLECTION Hang On
2004
More About This Work

Louise Bourgeois,

Hang On,

New York, Osiris, 2004

Bourgeois's entire text for this volume appears on the pages cited below.

Page 1:
I want to say
I want to tell
I want to see
I want to learn
I want to know

Page 2:
I want to control
I want to hold
I want to feel
I want to remember

Page 3:
I want to go
I want to want
I want to find
I want to finish
I want to forget

Page 4:
I want to be good
I want to be better
I want to do it
I want to show
I want to outdo
I want to top it
I want to accomplish mastery

Page 5:
I want the means to get
I want the tools
I want omnipotence
I want to manipulate
I want to be an acrobat

Page 6:
I want to be healthy
I want to be strong
I want to be clever
I want to please
I want to be good

Page 7:
I want it now
I want it this minute
I want to make it appear
as a fairy with a magic wand
I say there and there it is

Page 8:
I want to go everywhere
I want to turn around the table
I want to turn around people
I want to turn people around
To understand them
To anticipate them
To fool them

Page 9:
I want them to like
me and tell me
that I am ok
I want to be noticed
I want to be given
I want to be loved

Page 10:
I want to be right
I want to prove
I want to survive
I want to be free
I want to please

Page 11:
I want to avoid
death, destruction, guilt

Page 12:
I want to escape
I have to escape
I do not want to look
I have to find a diversion
a substitute

Page 13:
I want to look
around and see
then I want to go
back to my lair
and close my door
and then I want to get out
again and look at
everything

Page 14:
But I know that
I cannot see
I cannot learn
I can never know
I am not supposed to go
It is bad to want
I never find
I will not finish
I cannot forget

Page 15:
I cannot control
I cannot hold
I may not feel
I am unable to remember

Page 16:
The voice of reason and experience
The real world always says no
To be rich is not to want beyond my means
To be satisfied – to be wise
To be satisfied with what I have

Page 17:
Contemplate a finished and concentric world like a rose