3 known variant impressions of state II, outside the editions on paper and fabric
State Changes and Additions:
Changes from state I in drypoint: tree branches extended; hair extended; shoes shaded; hands further articulated; reinforced overall. Changes from state I by burnishing: hair below left ear removed; shape of left shoe altered.
According to Bourgeois’s assistant, Jerry Gorovoy, the subject of this composition came from a ritual instigated by the artist’s friend, Paulo Herkenhoff, a Brazilian curator and critic, in the late 1990s. In celebration of Easter, Herkenhoff, Gorovoy, and Bourgeois went into her backyard on Good Friday and each kissed the ground. After a few years, it was difficult for the artist to get down to the ground so they modified the ritual and began to embrace a tree instead.
The plate dimensions of this impression could not be documented because this work is not in MoMA's collection and could not be examined in person. The dimensions given were provided by the publisher, Harlan & Weaver, New York.
In July 2000, "Interview," also known as "Andy Warhol’s Interview," commissioned seven artists to create work to be reproduced in the October 2000 issue of the magazine. The resulting portfolio, “Stop and Smell the Roses,” is described in the issue as “a reminder that awareness of life’s incredibleness makes each day a better one.” Bourgeois contributed this impression of "Embracing the Tree." Cecily Brown, Pat Steir, Enzo Cucchi, Yoshitomo Nara, and the collaborative duo Tim Noble and Sue Webster also contributed work to the portfolio.
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