Louise Bourgeois. Untitled (Wide Tree), in Les Arbres (4), from the editioned series of portfolios, Les Arbres (1-6) (2004)

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Louise Bourgeois. Untitled (Wide Tree), in Les Arbres (4), from the editioned series of portfolios, Les Arbres (1-6). 2004

NOT IN MoMA'S COLLECTION

Cat. No. 254.1/I, in 250D

Untitled (Wide Tree), in Les Arbres (4), from the editioned series of portfolios, Les Arbres (1-6)

State/Variant:: Version 1 of 2, state I of III
Date:: 2004
Portfolio:: Les Arbres (4) (View All)

Descriptive Title:: English translation: "The Trees"
Themes:: Nature
Techniques:: Drypoint
Description:: Drypoint, with red watercolor, white gouache, black ink, and brown pencil additions
Support:: Smooth, wove paper
Dimensions:: plate: 8 7/8 x 8 7/8" (22.5 x 22.5 cm); sheet: 11 x 10 1/4" (27.9 x 26 cm)
Signature:: "LB" lower right margin, pencil.
"Louise Bourgeois / 2004" lower middle colophon, pencil.
Publisher:: Harlan & Weaver, New York
Printer:: Harlan & Weaver, New York
Edition:: 1 known impression of version 1, state I
Impression:: "4/6" lower center colophon, pencil, artist's hand.
Edition Information:: The editioned series of portfolios, "Les Arbres" (1-6), is not a traditional edition in that each portfolio is unique. Varying compositions, hand additions, and sheet sizes occur throughout the portfolios. Portfolio (1) includes 10 compositions, while Portfolios (2-6) each contain 8 compositions.

Included in all 6 portfolios are 5 specific drypoint compositions that appear in the same order. However, the states of these compositions, and their hand additions, vary.

Portfolio (1) is different from all the others in the series, not only because it includes 10 compositions, but also because 5 of the 10 compositions are drawings. The drypoints are the same 5 compositions noted above as being in every portfolio; the drawings are new compositions entirely.

Portfolios (2-6) each contain 3 drypoint compositions on fabric, in addition to the 5 drypoint compositions noted above. The drypoint compositions on fabric vary from portfolio to portfolio.
State Changes and Additions:: Additions in black ink: minor roots, anticipating state II; upper branches, anticipating state III.
Additions in black ink and brown pencil: hole in center of trunk, anticipating state III.
Curatorial Remarks:: Compositions on paper are set into the portfolio pages with Gampi paper mounting corners, as can be seen here. Compositions on fabric are sewn to the pages of the bound "Les Arbres" portfolios.