Louise Bourgeois. Who, Where, When, Why, What (2008)

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Louise Bourgeois. Who, Where, When, Why, What. 2008

IMAGE PERMISSIONS

Cat. No. 542.2/VIII

Who, Where, When, Why, What

State/Variant:: Version 2 of 2, state VIII of VIII
Date:: 2008

Themes:: Architecture, Words
Techniques:: Aquatint, Drypoint, Etching
Description:: Drypoint, aquatint, and soft ground etching
Support:: Smooth, wove paper
Dimensions:: plate: 11 7/8 x 9 13/16" (30.1 x 25 cm); sheet: 17 1/4 x 12 3/4" (43.8 x 32.4 cm)
Signature:: Not signed
Publisher:: unpublished
Printer:: Harlan & Weaver, New York
Edition:: 2 known impressions of version 2, state VIII
Impression:: Not numbered
Edition Information:: Not issued as a published edition at any state.
State Changes and Additions:: Matrices:
The progression of version 2, as seen in the Evolving Composition Diagram below, involved 3 plates.
Plate 1: contours of composition and shading of capital W’s, in drypoint; printed in red or black.
Plate 2: shading of house borders and segments of smoke, in aquatint; printed in red or black.
Plate 3: smoke spiral, reconfigured text, and contours of capital W’s in soft ground etching; printed in red or black.

State Changes:
Plate 3 printed in black, over plates 1 and 2 printed in red.
Changes from version 1: composition reconfigured with text in boxes within a house shape, in drypoint.
Changes from version 2, state VII, by burnishing: shading in border of roof partially removed.
Background:: In August of 1999, the Dalai Lama spoke at several well-attended events in New York City. Bourgeois's son, Jean-Louis, requested that his mother execute a benefit print to raise money for the Dalai Lama’s cause about a month prior to the speaking engagements. Although Bourgeois created this composition, the benefit project did not come to fruition and this print was never published.
Curatorial Remarks:: A variant impression of version 2, state IV was sold at Phillips, New York, “Editions” auction on November 23, 2008, as lot 90. The description lists a "numbered edition of 25 and 7 artist's proofs, published by Harlan & Weaver, New York." According to Felix Harlan of Harlan & Weaver, this composition was never published.
MoMA Credit Line:: Gift of the artist
MoMA Accession Number:: 1574.2012