Welcome to MoMA.org. To take full advantage of all the site’s features, including the option to save works in the collection, please upgrade your browser to Firefox, Google Chrome, Safari, or Internet Explorer 9. See our help page for more information.
Matrices: The progression of this composition, as seen in the Evolving Composition Diagram below, involved 2 plates in 3 different techniques.
Plate 1, in drypoint, engraving, and aquatint: house and sun.
Plate 2, in aquatint, drypoint, and engraving: shading in mounds, sun, and lowest horizontal band.
State Changes: Plate 1 printed in black. Plate 2 printed in red. Changes from state XVIII: plate 2 added.
Curatorial Remarks:
Although the verso of the source drawing is inscribed "Landscape" by the artist, the Louise Bourgeois Studio has designated the title of the drawing to the same as that of the print. The drawing was exhibited in "Louise Bourgeois Drawings and Sculpture" at Kunsthaus Bregenz in 2002. The accompanying catalogue lists the title as "Landscape."
Other Remarks:
Although it appears possible that the artist used a new plate for state VII, Carol Weaver of Harlan & Weaver, New York, remembers Bourgeois extensively working the same plate and continuing to use it. A new plate was not introduced until state XVI.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).