According to Bourgeois’s assistant, Jerry Gorovoy, the subject of this composition came from a ritual instigated by the artist’s friend, Paulo Herkenhoff, a Brazilian curator and critic, in the late 1990s. In celebration of Easter, Herkenhoff, Gorovoy, and Bourgeois went into her backyard on Good Friday and each kissed the ground. After a few years, it was difficult for the artist to get down to the ground so they modified the ritual and began to embrace a tree instead.
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