3 known variant impressions of state XIII, outside the editions on paper and fabric
The 4 impressions of varying states labeled "HC" in red ink, in the artist's hand, are not conventional H.C. impressions, which would be of the final state.
State Changes and Additions:
Changes from state XII in drypoint: figure's body reinforced, and figure's hair further delineated vertically and below. Additions in pencil: figure, chair, and spindles on staircase reinforced.
According to Louise Bourgeois’s assistant, Jerry Gorovoy, the bell jar-like form in “Hair” was not done in conjunction with Bourgeois’s monumental sculptural installation for Tate Modern’s Turbine Hall, in 2000. In that installation, each of three huge steel towers included, within it, a small sculpture depicting a mother and child inside a bell jar. Bourgeois’s print “Do Not Abandon Me,” with similar imagery and seen here in Related Works in the Catalogue, does have a direct relationship to the Tate installation.
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