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"Parkett" magazine approached Bourgeois with the suggestion of featuring her, with the artist Robert Gober, in one of its issues. This project was to be part of a series in which artists were paired, each being represented by a selection of reproductions and articles, as well as by a multiple work, which would be reproduced in the pages of the magazine and also available in a signed and limited special edition. Bourgeois proposed "The Age of Condom Come," but it was not used. Other possible multiples were also considered by Bourgeois (see "Appointment at 11:00 am" and "Reparation" in Related Works in the Catalogue below). Ultimately "Reparation" was issued in conjunction with "Parkett 27" in March 1991.
Artist’s Remarks:
"This is an outrageous thing. It was the time of the scandals of the television evangelists... of the 'born-again' subject. This is an antiestablishment piece. It was rejected as a multiple for Parkett. I was hurt... I was sad to be refused... but I'm used to it." (Quote cited in Wye, Deborah and Carol Smith. "The Prints of Louise Bourgeois." New York: The Museum of Modern Art, 1994, p. 160.)
Curatorial Remarks:
This multiple was fabricated by the artist's assistant, Jerry Gorovoy, and the Modern Art Foundry in Long Island City, NY.
Former Cat. No.:
W & S 88
MoMA Credit Line:
Gift of the artist
MoMA Accession Number:
533.1993
This Work in Other Collections:
The Museum of Fine Arts, Houston (states I and II)
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