LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Descriptive Title:

English translation: "Woman House"

Themes:

Architecture, Body Parts, Figures

Techniques:

Photogravure

Description:

Photogravure

Support:

Smooth, wove Arches paper

Dimensions:

plate: 10 1/16 x 4 7/16" (25.6 x 11.2 cm); sheet: 18 1/2 x 13" (47 x 33cm)

Signature:

"Louise Bourgeois" right lower margin, pencil.

Inscription:

Impressions of version 2 that are not illustrated include the following inscriptions: "For Bob, April 7, 84" and "To Kay, / affectionately / Oct 84."

Publisher:

Lelong Éditeur, Paris

Printer:

Piero Crommelynck, Paris

Edition:

50; plus 10 A.P. (numbered I-X)

Impression:

"EA VIII/X" lower left margin, pencil, unknown hand.

Edition Information:

There are seven known impressions of the of version 2, only state, printed in 1984, outside the reprinted edition.

State Changes and Additions:

Changes from version 1: composition enlarged and transferred to new matrix with added belly button, in photogravure.

Background:

This composition appeared first in an ink on linen work of 1946-47, and was then used for an exhibition brochure for "Louise Bourgeois: Paintings" on view at Norlyst Gallery, New York from 10/28-11/8/1947. The composition was also reproduced on the cover of Lucy Lippard, "From the Center: Feminist Essays on Women's Art," (New York: Dutton, 1976); and for an exhibition poster for "‘Louise Bourgeois Sculpture/The Prints of Louise Bourgeois" at the Museum of Modern Art, Oxford, on view 10/15-12/31/1995.

Artist’s Remarks:

"I consider this perfect... it brings the personal together with the environment... it is a symbiosis of one with the universe... it is a kind of acceptance." The figure "is serene... it doesn't mind." But Bourgeois added, "There is a sexual loneliness. She is dignified, but she is alone... she has no companion. The little hand is trying to call for help. She is not sexual at all. Her head does not know that she is naked. She has no hair or bosom... they are occupied by work." (Quote cited in Wye, Deborah and Carol Smith. "The Prints of Louise Bourgeois." New York: The Museum of Modern Art, 1994, p. 148.)

Bibliography:

Quinn, Bridget, with illustrations by Lisa Congdon. "Broad Strokes: 15 Women Who Made Art and Made History (in that order)." San Francisco: Chronicle Books, 2017.

The essay on Bourgeois describes how Quinn encountered "Femme Maison" on the cover of Lucy Lippard's book "From the Center: Feminist Essays on Women's Art". Quinn elaborates on this composition, as well as other key works from Bourgeois's ouevre.

Former Cat. No.:

W & S 75

MoMA Credit Line:

Gift of the artist

MoMA Accession Number:

260.1992

This Work in Other Collections:

Spencer Museum of Art, The University of Kansas, Lawrence
Museum of Fine Arts, Boston
Rowan University Art Gallery, Sylvia Sleigh Collection, Glassboro, NJ

© The Easton Foundation/VAGA at ARS, NY