LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Descriptive Title:

Amputee

Themes:

Body Parts, Figures

Techniques:

Etching

Description:

Etching

Dimensions:

plate: 29 13/16 x 21 3/4" (75.7 x 55.3 cm); sheet: 39 1/8 x 27 1/2" (99.4 x 69.9 cm)

Signature:

"LB" lower right margin, pencil.

Publisher:

unpublished

Printer:

Harlan & Weaver, New York

Edition:

1 known impression of state II

Impression:

Not numbered

Edition Information:

Proof before the editioning of state III.

State Changes and Additions:

Matrices:
The progression of this composition, as seen in the Evolving Composition Diagram below, involved 2 plates.

Plate 1: line elements of composition; printed in black.

Plate 2: shading of arm and leg stumps; printed in pink.

State Changes:
Plate 1 printed alone.
Changes from state I by burnishing: composition refined overall.
Changes from state I by etching: composition strengthened overall.

Background:

According to Bourgeois’s assistant Jerry Gorovoy, topiary work interested Bourgeois because the cutting and healing of the plant makes the tree stronger. He also points out the portfolio's connection to Bourgeois’s sister, Henriette, who had a condition that caused stiffness in her leg. Bourgeois referred to this as, "in effect, a wooden leg."

The editioned state III of this composition was published as a benefit for the Whitney Museum of American Art, New York.

Artist’s Remarks:

Written on a loose sheet, c. 1990s:
“Topiary
The trainer, the teacher, the carver, the butcher
To reject (cut off) and be moral about it
That is the fun
To nurture and train to full potential (valuable, useful)
I am going to cut (reject) everything in sight because I did not get what I wanted
What
To be loved by 1, 2, 3, 4
c’est la peur […]”
(The Easton Foundation: LB-0050)

Curatorial Remarks:

The paper type and plate dimensions of this impression could not be documented because this impression is not in MoMA's Collection and could not be examined in person. The plate dimensions are from the published impression in MoMA's Collection. The sheet dimensions were provided by the Louise Bourgeois Studio.

The compositions for plates 5, 6, 7, and 8 of the “Topiary” portfolio are related and appear to have shared some of the same source drawings and photocopy studies. Known studies are illustrated below in the Evolving Composition Diagram, and as Related Works in the Catalogue, for each plate.

Public Collection:

Albright-Knox Art Gallery; Tate Modern, London; Whitney Museum of American Art, New York; Yale University Art Gallery

© The Easton Foundation/VAGA at ARS, NY