Welcome to MoMA.org. To take full advantage of all the site’s features, including the option to save works in the collection, please upgrade your browser to Firefox, Google Chrome, Safari, or Internet Explorer 9. See our help page for more information.
Proof after the editioning of state VIII on fabric.
The additional 2 known impressions of this composition are not illustrated, due to their similarity to the impression seen here.
Although Bourgeois inscribed one impression of this state as a T.P., and another as a B.A.T., these are not conventional designations, as this state was never published in an edition.
State Changes and Additions:
Changes from state VIII in aquatint: oval border delineated; baby's body filled in.
Background:
"Umbilical Cord" relates to a monumental installation for the inaugural exhibition in Tate Modern's Turbine Hall in 2000. The installation consisted of "Maman," a 30' steel sculpture of a spider, and "I Do, I Undo, I Redo," three steel towers ranging in height from 42' to 57'. Each tower contained a different sculpture of a mother and child inside a bell jar. The sculpture in the tower titled, "I Redo," featured a mother and child attached by an umbilical cord. Bourgeois also made another related print called "Do Not Abandon Me," 2000, which includes a similar mother and child.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).