c. 250 (according to the artist), of which there are 3 known impressions
This composition was created as a holiday card. It was printed at a commercial printshop.
From 1938-1946, Bourgeois made her own printed holiday cards. In the late decades of her life, she again turned to prints as holiday gifts for a small circle of friends.
"Bourgeois remembered scraping a blackened surface with a razor blade when she made this print. 'The corner of the razor blade is very neat and very strong; with it, you have perfect control.' Bourgeois often imposed control in her early compositions—and gained control of her subjects—by employing a grid structure. 'To make a grid is to turn an emotional problem into one that can be analyzed visibly, and thus rationally.' 'Pinus Sylvestris' is the scientific name for the tree most commonly used at Christmas, and for Bourgeois a gridded analysis of it was a satisfying way to respond visually to a tree that is, as she said, 'so very beautiful.'" (Quote cited in Wye, Deborah and Carol Smith. "The Prints of Louise Bourgeois." New York: The Museum of Modern Art, 1994, p. 36.)
Although impressions are dated 1938 and Bourgeois's print list (a numbered list compiled by the artist prior to 1970) gives the date as 1940, this print was most likely executed in 1943, as indicated in her daybook notation of December 23, 1943: "I get the Christmas card Pinus Sylvestris."
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