LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Alternate Title:

Bed #1; Bed I

Themes:

Architecture, Body Parts, Objects

Techniques:

Drypoint, Engraving, Etching

Description:

Soft ground etching, drypoint, and engraving

Support:

Smooth, wove paper

Dimensions:

plate: 16 3/8 x 19 3/4" (41.6 x 50.1 cm); sheet: 21 7/16 x 23 5/8" (54.5 x 60 cm)

Signature:

"Louise Bourgeois 1997" lower right margin, pencil.

Publisher:

Village Care of New York, New York

Printer:

Harlan & Weaver, New York,
Simmelink/Sukimoto Editions, Los Angeles

Edition:

100; plus 15 A.P., 5 P.P., 1 T.P.

Impression:

"a.p. 9/15" lower left margin, pencil, unknown hand.

Edition Information:

There is 1 known variant impression of version 2, state IV, outside the edition. In addition to the published edition at this state, this composition was also issued as an edition at version 3, states X and XI.

State Changes and Additions:

Changes from version 1, in soft ground etching: composition transferred to new plate by tracing photocopy of first source drawing onto copper plate.
Changes from version 1, in engraving: floorboards added and lines in bedspread refined.
Changes from version 1, in drypoint: bed frame shaded and composition reinforced overall.
Changes from version 2, state III, in drypoint: shading added to bed frame and under bedspread; knobs added to bedframe.

Benefit Work:

For Village Care of New York, New York

Background:

Village Care of New York (formerly known as the Village Center for Care), is a non-profit institution providing health and nursing services for those with chronic and disabling conditions or illnesses. Rivington House is a branch of Village Care which provides comprehensive and holistic residential care for those living with symptomatic HIV and AIDS. Bourgeois created the published edition of version 2 to benefit Rivington House.

Version 3, state XI of this composition was published as a benefit for the Solomon R. Guggenheim Museum, New York.

Artist’s Remarks:

Inscribed on the verso of the source drawing: "Aug 20th Wardrobe Series / Les dessin de lit ne sont pas mal, mais des sacs de matelas seraient mieux, dessins de lit, the more, the better. Ce dessin n'est pas assez exact."

"Two things you count in one's erotic life: dinner table and bed. The table where your parents made you suffer. And the bed where you lie with your husband, where your children were born and you will die. Essentially, since they are about the same size, they are the same object." (Quote cited in Munro, Eleanor. "Originals: American Women Artists." New York: Simon and Schuster,1979, pp. 154-9.)

Curatorial Remarks:

Printers Harlan & Weaver worked with Bourgeois to develop the plate until the artist was satisfied with the composition and printing. The plate was then released to Doris Simmelink and Chris Sukimoto of Simmelink / Sukimoto Editions in Los Angeles, California, where they printed the impressions included in the edition."

Other Remarks:

According to the artist's assistant, Jerry Gorovoy, the subject of beds stems not only from their symbolic resonance for Bourgeois but also from her interest in their geometric and architectural forms. The bed motif is found in Bourgeois's drawings, sculptures, and installations, as well as in her prints (see Related Works in Other Mediums).

According to Wendy Williams of the Louise Bourgeois Studio, this composition was the source for the plaster and steel sculpture, "Arched Couple," 1999, seen below in Related Works in Other Mediums.

MoMA Credit Line:

Gift of the artist

MoMA Accession Number:

34.1998

This Work in Other Collections:

Minneapolis Institute of Art, MN
National Museum of Women in the Arts, Washington, DC
Village Care of New York, New York

© The Easton Foundation/VAGA at ARS, NY