NOT IN MoMA'S COLLECTION
Cat. No. 581/I, variant 3
La Nausée, plate 1 of 7, from the portfolio, La Réparation
- State/Variant:
- State I of III, variant
- Date:
- 2001
- Alternate Title:
-
Self Portrait: La Nausée
- Descriptive Title:
-
English translation: "The Nausea"; "The Reparation"
- Themes:
- Body Parts, Figures, Objects
- Techniques:
- Drypoint
- Description:
- Drypoint, with red ink additions
- Support:
- Paper
- Dimensions:
- plate: 9 15/16 × 7 15/16" (25.3 × 20.2 cm); sheet: 13 1/4 × 10 3/4" (33.7 × 27.3 cm)
- Signature:
- "LB" lower right margin, red ink; "LB" right lower margin, red ink.
- Publisher:
- unpublished
- Printer:
- Harlan & Weaver, New York
- Edition:
- 3 known variant impressions of state I
- Impression:
- Not numbered
- Edition Information:
- Proof before the editioning of state III.
- Artist’s Remarks:
- Inscribed on the verso of the source drawing: "little boy blue, come and blow your / horn / come and the meadow / the cat is the meadow / the cow in the corn / Punch and Judy Dennis Adrian / Lou Pollack / Punch and Rhun a l'eglise / La retour d'age (fauve) menopause. / I took to it as a duck to water / je baille aux corneilles / Brigitte / grackles / Les animaux buichat / Aldo Rossi architect / What is the shape of the problem, question / of this melodie. / It had such a hold and such a beauty that I never / wanted to be separated again. Hold my bones / together (Larry / Rinder book) / a and b also Bob Spring / foundry." across sheet, pencil, artist's hand.
- Curatorial Remarks:
- The paper type could not be documented because this work is not in MoMA's Collection and could not be examined in person. The plate dimensions are from an impression in MoMA's Collection. The sheet dimensions were provided by the Louise Bourgeois Studio.
- Other Remarks:
- According to Jerry Gorovoy, the artist's assistant, this composition refers to sensation of being sea sick.
- Public Collection:
- Tate Modern, London
© The Easton Foundation/VAGA at ARS, NY















