LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Themes:

Abstraction, Faces & Portraits

Techniques:

Aquatint, Drypoint

Description:

Drypoint and aquatint, with selective wiping

Support:

Smooth, wove paper

Dimensions:

plate: 10 7/8 x 7 15/16" (27.6 x 20.2 cm); sheet: 19 3/16 x 15 1/8" (48.7 x 38.4 cm)

Signature:

Not signed

Publisher:

unpublished

Printer:

Harlan & Weaver, New York

Edition:

1 known impression of version 1 of 2, state III

Impression:

Not numbered

Edition Information:

Proof before the editioning of version 2.

State Changes and Additions:

Changes from state II in aquatint: triangle filled in; tone added to the perimeter of the composition.
Changes from state II in drypoint: irises reinforced.

Background:

The edition of version 2, in lithography on paper, was published as a benefit for Exit Art, New York.

Exit Art, 1982-2012, was an alternative exhibition space known for bringing exposure to emerging artists dealing with sociopolitically challenging work. When Exit Art approached Bourgeois for a contribution to one of their annual Benefit Print Portfolios, Bourgeois chose to create an enlarged lithograph version of the "The Guilty Girl" drypoint composition. According to Bourgeois's assistant, Jerry Gorovoy, Bourgeois may have made the second version because lithography could have been more conducive to printing the multiple colors with which Bourgeois experimented in variants of the drypoint version. Bourgeois may have enlarged the image, as well, due to Exit Art's 30 x 22" standard sheet size for the portfolio.

The portfolio is titled "twoandthreezeros" and it includes 8 prints in an edition of 50 with artists Patty Chang, Peter Hildebrand, Sol LeWitt, Kerry James Marshall, Julie Mehretu, Yigal Ozeri, Shahzia Sikander, and Bourgeois, plus a cover printed by Exit Art co-founder, Papo Colo.

Artist’s Remarks:

"The triangular figure rests on a single point and can easily fall down. Her guilt has nothing to do with religion. There is guilt in not living up to one's highest potential. There is guilt from not being able to make yourself understood. There is guilt in not being a good mother. And there is guilt in not being able to make yourself loved." Bourgeois interviewed by Simona Vendrame. "Tema Celeste" 85 (2001): 49.

MoMA Credit Line:

Gift of the artist

MoMA Accession Number:

1422.2012

This Work in Other Collections:

Whitney Museum of American Art, New York

© The Easton Foundation/VAGA at ARS, NY