Cat. No. 124/VIII
Hair
- State/Variant:
- State VIII of XIII
- Date:
- 1999
- Descriptive Title:
-
Red Bell Jar
- Themes:
- Body Parts, Figures, Objects
- Techniques:
- Drypoint, Engraving
- Description:
- Drypoint and engraving, with red ink and pencil additions
- Support:
- Smooth, wove paper
- Dimensions:
- plate: 8 x 5 5/16" (20.3 x 13.5 cm); sheet: 12 3/16 x 9 7/16" (31 x 24 cm)
- Signature:
- Not signed
- Publisher:
- unpublished
- Printer:
- Harlan & Weaver, New York
- Edition:
- 1 known impression of state VIII
- Impression:
- Not numbered
- Edition Information:
- Proof before the editioning of state XIII.
The 4 impressions of varying states labeled "HC" in red ink, in the artist's hand, are not conventional H.C. impressions, which would be of the final state. - State Changes and Additions:
- Changes from state VII in drypoint: spindles on staircase delineated.
Changes from state VII in engraving: bottom staircase upright posts delineated; staircase and railing reinforced.
Additions in red ink: lines reinforced overall.
Additions in pencil: bottom plate mark reinforced. - Other Remarks:
- According to Louise Bourgeois’s assistant, Jerry Gorovoy, the bell jar-like form in “Hair” was not done in conjunction with Bourgeois’s monumental sculptural installation for Tate Modern’s Turbine Hall, in 2000. In that installation, each of three huge steel towers included, within it, a small sculpture depicting a mother and child inside a bell jar. Bourgeois’s print “Do Not Abandon Me,” with similar imagery and seen here in Related Works in the Catalogue, does have a direct relationship to the Tate installation.
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 832.2008
© The Easton Foundation/VAGA at ARS, NY



























