Cat. No. 58/IV, variant 2
Do Not Abandon Me
- State/Variant:
- State IV of VII, variant
- Date:
- 1999
- Themes:
- Figures, Motherhood & Family, Objects
- Techniques:
- Drypoint
- Description:
- Drypoint, with selective wiping, and white gouache and blue and red ink additions
- Support:
- Slightly textured, thin, laid paper
- Dimensions:
- plate: 11 15/16 × 9 15/16" (30.3 × 25.3 cm); sheet: 17 5/16 × 11 5/8" (44 × 29.5 cm)
- Signature:
- Not signed
- Publisher:
- unpublished
- Printer:
- Harlan & Weaver, New York
- Edition:
- 3 known variant impressions of state IV
- Impression:
- Not numbered
- Edition Information:
- Proof before the editioning of state VII.
- State Changes and Additions:
- Changes from state III in drypoint: woman and child added.
Additions in blue ink: necklace, anticipating state V; figures, umbilical cord, and chair reinforced. - Background:
- The imagery of this print relates to Bourgeois’s monumental sculptural installation for the inaugural exhibition in Tate Modern’s Turbine Hall in 2000. The installation consisted of “Maman,” a 30’ steel sculpture of a spider, and “I Do, I Undo, I Redo,” three steel towers ranging in height from 42' to 57'. Each tower contained a different sculpture of a mother and child inside a bell jar. The “Do Not Abandon Me” drypoint relates to the sculpture contained in the tower titled, “I Redo,” seen below in Related Works in Other Mediums.
- MoMA Credit Line:
- Gift of the artist
- MoMA Accession Number:
- 811.2008
© The Easton Foundation/VAGA at ARS, NY


























