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LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Louise Bourgeois: Complete Books & Prints
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Cat. No. 645.1/VI

Hanging Weeds

State/Variant:
Version 1 of 2, state VI of VI
Date:
1949
Alternate Title:
Hangings
Themes:
Abstraction, Nature, Objects
Techniques:
Engraving
Description:
Engraving
Support:
Smooth, wove paper
Dimensions:
plate: 6 15/16 x 4 7/8" (17.6 x 12.4 cm); sheet: 9 13/16 x 6 5/8" (25 x 16.8 cm)
Signature:
"L. Bourgeois. 49" lower right margin, pencil.
Inscription:
"4/20 _hanging weeds_" lower left margin, pencil, artist's hand.
Publisher:
unpublished
Printer:
The artist at Atelier 17, New York
Edition:
4 known impressions of version 1, state VI
Impression:
Not numbered
Edition Information:
Not issued as a published edition at any state.
State Changes and Additions:
Changes from state V, in engraving: several horizontal lines added to upper triangle.
Artist’s Remarks:
For Bourgeois, this imagery recalled the house she lived in as a child in Antony. "The attic was very large because of the slope of the house. Antique chair frames were hung from the ceiling everywhere. My father collected them. He would take them down from the ceiling very delicately and examine them."
Bourgeois talked about supporting sculptures and different ways of achieving that. If a sculpture is standing and there is "a fear of it falling," it could always be hung from the ceiling instead. "It is a form of reassurance." (Quote cited in Wye, Deborah and Carol Smith. "The Prints of Louise Bourgeois." New York: The Museum of Modern Art, 1994, p. 126.)
Curatorial Remarks:
An amendment has been made here to the cataloguing found in Wye and Smith, "The Prints of Louise Bourgeois," 1994, p. 126. At that time, cataloguers were unaware of an earlier state, which surfaced in 2012. With the discovery of state I, each successive state is later (state I is now state II, state II is now state III, etc.).

In the second half of the 1940s, Bourgeois spent time at Atelier 17, the print workshop of Stanley William Hayter. The workshop had transferred operations from Paris to New York during the war years. It is not known precisely which prints she made at the workshop since she also worked at home on a small press. The designation of “the artist at Atelier 17” as printer means that the impression was likely made at the workshop. The designation is based on dates, inscriptions, techniques favored at Atelier 17, and/or stylistic similarities to images in the illustrated book “He Disappeared into Complete Silence,” which the artist repeatedly cited as having been made at Atelier 17. It is also possible that Bourgeois worked on certain plates both at home and at the workshop, or pulled impressions at both places.
Former Cat. No.:
W & S 56
MoMA Credit Line:
Given anonymously
MoMA Accession Number:
2.1982
This Work in Other Collections:
The Metropolitan Museum of Art, New York (state VI)
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library (state III)

Hanging Weeds
1949; 1990

Source
1947

NOT IN MoMA'S COLLECTION Louise Bourgeois. Untitled. 1947
NOT IN MoMA'S COLLECTION Untitled
Ink on paper
1947

First Version

NOT IN MoMA'S COLLECTION Louise Bourgeois. Hanging Weeds. 1949
NOT IN MoMA'S COLLECTION Version 1 of 2, state I of VI
1949
NOT IN MoMA'S COLLECTION Louise Bourgeois. Hanging Weeds. 1949
NOT IN MoMA'S COLLECTION Version 1 of 2, state II of VI
1949
NOT IN MoMA'S COLLECTION Louise Bourgeois. Hanging Weeds. 1949
NOT IN MoMA'S COLLECTION Version 1 of 2, state III of VI
1949
Louise Bourgeois. Hanging Weeds. 1949
Version 1 of 2, state V of VI
1949
Louise Bourgeois. Hanging Weeds. 1949
Version 1 of 2, state VI of VI
1949
NOT IN MoMA'S COLLECTION Louise Bourgeois. Hanging Weeds. 1949
NOT IN MoMA'S COLLECTION Version 1 of 2, state VI of VI
1949
NOT IN MoMA'S COLLECTION Louise Bourgeois. Hanging Weeds. 1949
NOT IN MoMA'S COLLECTION Version 1 of 2, state VI of VI
1949

Second Version

Louise Bourgeois. Hanging Weeds. c. 1990
Version 2 of 2, only state
c. 1990