LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Themes:

Architecture, Figures, Spiders

Techniques:

Drypoint

Description:

Drypoint, with red and blue ink, and pencil additions

Support:

Smooth, wove paper

Dimensions:

plate: 7 x 5 3/8" (17.8 x 13.7 cm); sheet: 14 15/16 x 10 1/16" (38 x 25.5 cm)

Signature:

"LB" lower right margin, red ink.

Publisher:

unpublished

Printer:

Harlan & Weaver, New York

Edition:

1 known impression of version 1, state III

Impression:

Not numbered

Edition Information:

Proof before the editioning of version 3, state IV.

State Changes and Additions:

Changes from state II in drypoint: figure added; small spider added; large spider shaded.
Additions in pencil: floorboards, anticipating version 1, state IV.
Additions in red ink: figure's hair, anticipating version 1, state VI; figure's body further delineated; reinforced overall.
Additions in blue ink and blue pencil: small spider re-drawn, anticipating version 1, state V.

Background:

Bourgeois issued the first edition of “He Disappeared into Complete Silence” in 1947 (see cat. no. 1228). At that time, while actively working in printmaking at the Atelier 17 workshop, she decided to create an illustrated book edition with hopes of making her work more widely known. As it turned out, the book was not a success and Bourgeois never completed the announced edition of 54 examples. It frustrated her that she had never finished the project and, much later, in the early 1980s, she began efforts to reissue the book.

Bourgeois could not locate the printing plates for the nine illustrations, so she set about producing new ones. She worked first, in 1984, with printer Deli Sacilotto, of Iris Editions, New York, to create photogravures using 1947 impressions of Plates 1, 3, and the “Alternative Plate.” Then, in 1990, she created engraved versions of Plates 2 and 6 with the assistance of Christian Guérin of Gravure, New York. First, though, in order to determine whether Guérin’s engraving was suitable, she asked him to engrave two similar compositions. (See “Atlantic Avenue: Transparent Houses” [cat. nos. 1054.1, .2, .3].)

In 1993, Bourgeois finally turned the project over to printer Felix Harlan of Harlan & Weaver, New York, with whom she had begun to work on a regular basis. Harlan would ultimately serve as both printer and coordinator of the second edition. He started out by making reprints of some of the 1983 photogravures created with Sacilotto, and the 1990 engravings created with Guérin. In addition, since by then Bourgeois had located three of the original printing plates from the 1940s (two versions of Plate 3 and one version of Plate 4), Harlan made reprints from those, but they were too distressed for use in a future edition. He also attempted to remake Plates 5, 8, and 9 in drypoint and/or etching. Finally, Bourgeois decided to work with photogravure as the starting-off point for all the compositions in the book, in order to keep the plates as close as possible to those of the 1947 edition. In 1995, new photogravure plates were made by Renaissance Press from photographs of the first edition in the New York Public Library (cat. no. 1228, Example 12). Working with Harlan, Bourgeois ultimately re-worked these photogravure plates with engraving, also adding aquatint, drypoint, scorper and watercolor additions in some instances.

The 1947 first edition of “He Disappeared into Complete Silence” includes “vintage” examples issued in 1947 or thereabouts, as well as “assembled” examples that Bourgeois compiled in the 1980s from prints and texts that remained in her possession. Some of the “assembled” examples, including the one in the New York Public Library, have ten plates rather than the standard nine plates. The tenth plate is a composition called “Alternative Plate” for cataloguing purposes. The second edition includes the “Alternative Plate,” as well as this entirely new eleventh plate titled, “Spider.”

Bourgeois worked intermittently on this project for over a decade, with the second edition appearing in 2005 as a benefit publication for the Department of Prints and Illustrated Books, The Museum of Modern Art, New York. In addition to eleven plates, the book includes text pages from 1947 that had remained with Bourgeois, as well as a new table of contents, foreword, and colophon. The housing was constructed to match that of the 1947 first edition.

Artist’s Remarks:

Inscribed on the recto of the source drawing: "l'indispensable"; and on the verso: "I want to eat, / sleep, argue, hurt, destroy, why do you - my reasons belong exclusively to me"

MoMA Credit Line:

Gift of the artist

MoMA Accession Number:

1480.2008

© The Easton Foundation/VAGA at ARS, NY