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plate: 7 15/16 × 10 7/8" (20.1 × 27.7 cm); sheet: 11 x 15 1/2" (28 x 39.4 cm)
Signature:
"LB" lower right margin, red ink.
Inscription:
Verso: "Stephen Spender / said good fences / make good neighbours / I say no [italicized and underlined] fences make / good neighbours" upper left sheet, pencil, artist's hand; "fences are obsolete, / 1999" center sheet, pencil, artist's hand.
3 known impressions of the only state, outside the edition
Impression:
Not numbered
Edition Information:
The additional known impression of the only state, outside the edition, is in MoMA's Collection (Accession Number: 906.2008). It is not illustrated, due to its similarity to the published impression seen in the Evolving Composition Diagram below.
Curatorial Remarks:
Publisher Harlan & Weaver groups the editioned state of this composition with ten other drypoints of 1999, under the title, “11 Drypoints.” Each of the 11 compositions can be displayed individually. The full set is as follows: “The Accident” “The Angry Cat” “Don’t Put Your Foot in Your Mouth” “Fear” “Feet (Socks)” “Fences Are Obsolete” “Madeleine” “Mosquito” “Mother and Child” “Please Hang in There” “The Smell of the Feet”
Bibliography:
Malbert, Roger, and Juliet Mitchell. "Louise Bourgeois: Autobiographical Prints." London: Hayward, 2016. (Catalogue accompanying the touring exhibition "Louise Bourgeois Prints: Autobiographical Series and 11 Drypoints".)
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