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Henriette, Bourgeois's older sister, suffered from a stiff and swelling leg. The sister required therapy, but did not actually have a prosthetic limb as seen here.
During the 1930s, Bourgeois worked at the Louvre. On her way, she often passed a prosthetics shop, and in the museum she saw many WWI amputees who were employed as guards.
Curatorial Remarks:
The cut-out leg portion of this composition is a digital print of the source sculpture, overlaid with lithography and foamcore. This element is flat, although contours within the image give it a sense of dimension.
Other Remarks:
According to printer Judith Solodkin of SOLO Impression, the wrench key at the top is mean to symbolize the potential unlocking of the screws at the knee joint.
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