MoMA
A-|A+

LOUISE BOURGEOIS: COMPLETE BOOKS & PRINTS

Louise Bourgeois: Complete Books & Prints
Advanced Search

View Works Chronologically:

Compositions (1,574)
Sheets (5,410)



Showing 1649 of 5410
NOT IN MoMA'S COLLECTION

Cat. No. 596/II

Reply to Stanley Hayter

State/Variant:
State II of III
Date:
1997
Themes:
Abstraction
Techniques:
Lithography
Description:
Lithograph
Support:
Paper
Dimensions:
sheet: 27 × 30" (68.6 × 76.2 cm)
Signature:
"LB" right lower margin, pencil.
Inscription:
"TP. 1" left lower margin, pencil, unknown hand.
Publisher:
unpublished
Printer:
SOLO Impression, New York
Edition:
1 known impression of state II
Impression:
Not numbered
Edition Information:
Proof before the editioning of state III.
State Changes and Additions:
Matrices:
The progression of this composition, as seen in the Evolving Composition Diagram below, included 8 lithography matrices.

Plate 1: light blue background.

Plate 2: yellow areas.

Plate 3: orange areas.

Plate 4: dark blue areas.

Plate 5: magenta areas.

Plate 6: red half circles.

Plate 7: red diagonal line.

Plate 8: black areas.

Print State Changes:
Changes from state I, in plate 4: shading reduced.
Background:
Stanley William Hayter founded the print workshop Atelier 17, which he relocated from Paris to New York during WWII. Bourgeois worked there intermittently until 1949, enjoying the company of an array of international artists. Bourgeois found Hayter intimidating as he demonstrated engraving, but remembered feeling useful in the shop because she could facilitate communication with the artists who spoke only French. "Le Cauchemar de Hayter," seen below in Related Works in Other Mediums, is another work that references the printmaker.
Curatorial Remarks:
The paper type and composition size could not be documented because this work is not in MoMA's Collection and could not be examined in person.
Other Remarks:
According to the artist's assistant Jerry Gorovoy, Bourgeois was reminded of Hayter in the 1990s when she met Hayter's daughter. While revisiting some earlier drawings, the artist remembered the difficulties she had with the engraving burin, especially when making long, curved forms like the ones seen here.
Public Collection:
Fogg Art Museum, Harvard University

Reply to Stanley Hayter
1996

Source
1970

NOT IN MoMA'S COLLECTION Louise Bourgeois. Untitled. 1970
NOT IN MoMA'S COLLECTION Untitled
Ink and pencil on paper
1970

Source
1970

NOT IN MoMA'S COLLECTION Louise Bourgeois. Untitled. 1970
NOT IN MoMA'S COLLECTION Untitled
Watercolor on paper
1970

States

NOT IN MoMA'S COLLECTION Louise Bourgeois. Reply to Stanley Hayter. 1996
NOT IN MoMA'S COLLECTION State I of III
1996
NOT IN MoMA'S COLLECTION Louise Bourgeois. Reply to Stanley Hayter. 1997
NOT IN MoMA'S COLLECTION State II of III
1997
Published Louise Bourgeois. Reply to Stanley Hayter. 1996
State III of III
1996