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Media and Performance Art

See what happens when artists perform—live or on-camera—and incorporate themselves and their audience into their work.

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Performing for the Camera

Performing for the Camera

Artists break the molds of video and film, and broaden the boundaries of art.

Participation and Audience Involvement

Without viewers playing a part, the work of these artists would be incomplete.

Performing Identities

Artists ask, Who am I? Who are you? and demonstrate that the answers are not so simple.

Expanded Choreography

See what happens when dance comes off of the stage and into the public arena.

In 1927, the first electronic television was invented, and in less than 30 years, half of all American households owned at least one television set. By the late 1990s, nearly every home in America had a TV, and watching it had long become a national pastime. The recent explosion of Internet- and television-based entertainments, including reality shows and YouTube videos, and resources like digital cameras, smart phones, and social media platforms, allow anyone to make and share images with others around the world.

It’s hard to imagine a time when television was largely the domain of politicians, journalists, and actors, and the notion of turning the camera onto oneself was still relatively new. Beginning in the 1960s, artists got hold of early handheld cameras, brought them into their studios or took them out into the world, and started experimenting. While some continued working in film, which required time for development and processing, others began using the recently invented portable video camera, which allowed for the immediate playback of their recordings. Many were looking for ways to disrupt and examine the medium and structure of television, received political and social ideologies, deep-seated racial and gender stereotypes, and the definition of art itself. They did this by performing for the camera—as themselves or in various guises—and presenting their videos and films as art.

Almost as fast as new technologies are introduced, artists capitalize upon them for their work, and the process of experimentation and challenging the status quo continues on, unabated.

To explore more, click on each artwork thumbnail, then click again on the larger image that appears in the box above.

A camera that captures moving images and converts them into electronic signals so that they can be saved on a storage device, such as videotape or a hard drive, or viewed on a monitor.

A term describing moving-image artworks recorded onto magnetic tape or digital formats, or generated using other mechanisms such as image-processing tools, and available for immediate playback.

1. A series of moving images, especially those recorded on film and projected onto a screen or other surface (noun); 2. A sheet or roll of a flexible transparent material coated with an emulsion sensitive to light and used to capture an image for a photograph or film (noun); 3. To record on film or video using a movie camera (verb).

A representation of a person or thing in a work of art.

Standardized and oversimplified assumptions about specific social groups.