Front / Recto
- Title The Dancer Pomiès (Der Tänzer Pomiès)
- Negative Date 1929
- Print Date 1929
- Medium Gelatin silver print
- Dimensions Image 9 7/16 × 7 1/16" (24 × 17.9 cm)
- Place Taken Paris
- Credit Line Thomas Walther Collection. Gift of Shirley C. Burden, by exchange
- MoMA Accession Number 1877.2001
Back / Verso
- Mount Type No mount
- Marks and Inscriptions Stamped in black ink on sheet verso, center: PHOTO/Maurice TABARD/PARIS. Inscribed in green ink on sheet verso, center: 1929. Signed in pencil on sheet verso, center: Tabard 1929. Inscribed in pencil on sheet verso, center: 5 [circled].
The artist, Paris; to Galerie Wilde (Ann and Jürgen Wilde), Cologne, 1975 ; puchased by Thomas Walther, 1984 ; purchased by The Museum of Modern Art, New York, 2001.
 MacGill/Walther 2001(3), p. 23; and Jürgen Wilde, letter to Simon Bieling, May 12, 2005.
 MacGill/Walther 2001(3), p. 23; and Wilde, letter to Bieling.
- Format Metric
- Weight Single weight
- Thickness (mm) 0.16
- UV Fluorescence Recto negative Verso negative
- Fiber Analysis Softwood bleached sulfite 19% Rag 71% Bast 10%
- Material Techniques Developing-out paper
This work was determined to be a gelatin silver print via X-ray fluorescence (XRF) spectrometry.
The following elements have been positively identified in the work, through XRF readings taken from its recto and verso (or from the mount, where the verso was not accessible):
- Recto: Al, P, S, Ca, Zn, Sr, Ag, Ba
- Verso: Al, S, Ca, Zn, Sr, Ba
The graphs below show XRF spectra for three areas on the print: two of the recto—from areas of maximum and minimum image density (Dmax and Dmin)—and one of the verso or mount. The background spectrum represents the contribution of the XRF instrument itself. The first graph shows elements identified through the presence of their characteristic peaks in the lower energy range (0 to 8 keV). The second graph shows elements identified through the presence of their characteristic peaks in the higher energy range (8 to 40 keV).
- Cultural Hubs Paris