Posts tagged ‘Abstract Expressionist New York’
October 6, 2010  |  Collection & Exhibitions, Tech
Fall Harvest Online

MoMA variety pack

The end of summer often means time to go back to school. For those of us at MoMA, it also means a slew of new exhibitions. And this fall we have quite a bounty, many of which are accompanied by a special online feature. For today, we present five websites for five exhibitions:

September 30, 2010  |  Collection & Exhibitions

Dorothy Dehner. New City. 1953. Watercolor and ink on paper. The Museum of Modern Art. Gift of the Dorothy Dehner Foundation for the Visual Arts. © 2010 Dorothy Dehner Foundation for the Visual Arts

Sometimes you can palpably feel excitement building for an artist. It might be a rising star from Los Angeles who works in drawing and video, or a Brooklyn-based painter featured in Greater New York 2010 at MoMA PS1 and about to break through. It is less often a woman artist of the New York School, whose presence in MoMA’s collection has heretofore consisted of one drawing, two prints, and a small tabletop sculpture, and who has been dead for sixteen years.

September 23, 2010  |  Collection & Exhibitions, Events & Programs, Tech
Learning Online: MoMA’s Courses Go Digital

Independent Conservator and Instructor Corey D’Augustine demonstrates Jackson Pollock’s painting techniques in the online course Materials and Techniques of Postwar Abstract Painting.

MoMA’s Education Department prides itself on crafting personal experiences with works of art for our visitors. In exploring new ways to enhance these experiences, we were surprised to find that video has a remarkable ability to help us focus our gaze in a way that is often very difficult to do in the galleries. It might seem like a strange concept—that looking at a work of art on your computer screen would help you to look and think about art more deeply—but this is precisely what we discovered as we developed two online courses over the last year.

September 16, 2010  |  Artists, Collection & Exhibitions
David Smith’s Don Quixote

David Smith. Don Quixote, state I. 1952. Lithograph. Publisher: the artist, New York. Printer: Michael Ponce de Léon and Margaret Lowengrund, New York. Edition: 14. The Museum of Modern Art. Stephen F. Dull Fund, 2010

I’ve written before about some of the various ways that works are acquired for MoMA’s collection, a primary one being in preparation for upcoming exhibitions. Abstract Expressionist New York, opening here next month, provided one such opportunity.

August 30, 2010  |  Collection & Exhibitions, Publications
MoMA and the World: The International Program

Clement Greenberg speaking in New Delhi in 1967 at a presentation of the MoMA exhibition Two Decades of American Painting

Clement Greenberg speaking in New Delhi in 1967 at a presentation of the MoMA exhibition Two Decades of American Painting

An interview with Jay Levenson, Director, International Program, The Museum of Modern Art

In 1952, The Museum of Modern Art established the International Program of Circulating Exhibitions, which was supported by a grant from the Rockefeller Brothers Fund, with the aim of sending exhibitions to museums around the world. The following year, the International Council was organized to provide long-term financial support to the program.

Amy Horschak: In light of MoMA’s upcoming installation Abstract Expressionist New York and the exhibition of many of the “AbEx” artists abroad by the International Program (IP) in the 1950s, can you comment on the often-made claims that the IP was, at that time, part of a CIA project?