MoMA
October 23, 2012  |  An Auteurist History of Film
Clint Eastwood’s Unforgiven

Unforgiven. 1992. USA. Directed by Clint Eastwood

These notes accompany screenings of Clint Eastwood’s Unforgiven on October 24, 25, and 26 in Theater 3</a>.

Clint Eastwood’s diverse acting performances and directing accomplishments in Western films have earned him a solid place high in the pantheon of such genre artists as Ford, Hawks, Wayne, Cooper, Fonda, and Stewart

October 22, 2012  |  Artists, Collection & Exhibitions
New Photography 2012: Shirana Shahbazi

In the audio slideshow above, photographer Shirana Shahbazi talks about her stunning site-specific installation in MoMA’s New Photography 2012 exhibition.

October 18, 2012  |  Artists, Publications
Celebrating 75 Years of Walker Evans’s American Photographs

American Photographs cover image

Walker Evans’s <a href="http://www.momastore.org/museum/moma/ProductDisplay_Walker%20Evans:%20American%20Photographs,%20Seventy-Fifth%20Anniversary%20Edition_10451_10001_139043_-1_26683_11486_139049" target=_blank>American Photographs</a> is a touchstone for modern photography—a remarkable collection of photographs that shows a “poetics of editing and sequencing,” according to MoMA’s former Chief Curator of Photography Peter Galassi, that “helped to establish the photographer’s book as an indivisible unit of artistic expression.”

October 16, 2012  |  Design
A Paean to the Phases of the Moon

Irwin Glusker. 2013 Phases of the Moon Calendar. 2011

Since time immemorial the curious have gazed at the ever-changing shape, color, and size of the moon and wondered. The luminous, celestial orb has inspired songs, myths, poetry, and art for thousands of years, and, as we now know, is responsible for the life-enriching tides of the oceans.

October 16, 2012  |  An Auteurist History of Film
John Ford’s The Searchers

The Searchers. 1956. USA. Directed by John Ford

These notes accompany screenings of John Ford’s The Searchers on October 17, 18, and 19 in Theater 3</a>.

The Searchers and [The Man Who Shot] Liberty Valance are the two masterpieces within Ford’s later project of disclosing the dark underbelly of the American West’s progress from wilderness to civilization

October 15, 2012  |  Artists, Collection & Exhibitions
New Photography 2012: Zoe Crosher

In the audio slideshow above, photographer Zoe Crosher talks about the wall installation from her ongoing series The Michelle duBois Project, currently on view in MoMA’s New Photography 2012 exhibition.

October 12, 2012  |  Do You Know Your MoMA?
Do You Know Your MoMA? 10/12/12

How well do you know your MoMA? If you think you can identify the artist and title of each of these works—all currently on view in the Painting and Sculpture, Contemporary, or Architecture and Design galleries—please submit your answers by leaving a comment on this post. We’ll provide the answers next month (on Friday, November 9).

October 11, 2012  |  Artists, Collection & Exhibitions
Painted Buildings for the Record

Jason Crum. Project for a Painted Wall, New York City, New York. Perspective. 1969. Gouache on photograph. The Museum of Modern Art, New York. Purchase, 1969

In The Realm of Ideas Frank Lloyd Wright called architecture “the truest record of Life as it was lived in the world yesterday, as it is lived today or ever will be lived.”

October 11, 2012  |  Collection & Exhibitions
Boy Meets Wall: Hanging Out with Jens S Jensen

Jens S Jensen. Boy on the Wall, Hammarkullen, Gothenburg. 1973. Gelatin silver print, 9 7/16 x 11 3/4″ (24 x 29.8 cm). The Museum of Modern Art, New York. Gift of the artist. © 2012 Jens S. Jensen

The first major research trip we undertook for Century of the Child: Growing by Design, 1900–2000 was, appropriately, through the historically child-centric Nordic countries. It was then, in 2009, that we first encountered Jens S Jensen’s 1973 photograph

October 10, 2012  |  Behind the Scenes, Library and Archives
Artists in Their Own Words: The MoMA Oral History Program

The transcripts of the Oral History Program have long been a central part of The  Museum of Modern Art Archives, known to many in scholarly circles as an unrivaled primary source for the collective memory of MoMA’s history.