These notes accompany screenings of Karel Zeman’s The Fabulous World of Jules Verne on December 5, 6, and 7 in Theater 3.

The Fabulous World of Jules Verne. 1958. Czechoslovakia. Written and directed by Karel Zeman

Our series is dedicated this month to an all-too-brief look at developments in the field of animation in the 1940s and 1950s.

Thanksgiving is reportedly the biggest travel week of the year, and from what I experienced this year, I would have to agree. The night before Thanksgiving Penn Station was shut down due to switch problems, forcing many to travel on Thanksgiving Day. I managed to get a seat as they quickly filled up around me.

In the Making alumnus and artist Sean Vegezzi interviewed at MoMA

In teen programming these days, it’s becoming pretty common for groups of museum-based teens to sit down with a big-name artist and conduct an interview with them about their work. And the reason that this is becoming a common technique is simple—these interviews almost always turn out to be pretty great. They give artists a chance to talk about their work in a new way with a new audience, and it allows the teens conducting the interview to gain first-hand knowledge about what it actually means to create art for a living. (You can check out our two-part MoMA Teens interview with Laurel Nakadate here and here.) The teen/artist interviews are more casual than most, more honest in some ways, and they tend to broach subjects that a curator or a critic might never raise in a more formal type of environment.

For the two videos below, we decided to flip things around a bit: Rather than bringing a group of our MoMA teens in to interview an older, more established artist, we brought in ex-MoMA teen (and 22-year-old artist), Sean Vegezzi, and interviewed him about his work. We wanted to shine some light onto the artistic projects that our In the Making alumni are working on these days, and to create a platform that increases the visibility of vibrant, gutsy, emerging artists like Sean. As you can see from the video, the philosophies surrounding his work and his artistic process are just as complex and well thought out as those of his older, more established peers and his recent book of photography, I Don’t Warna Grow Up, holds its own against anything else that’s being released these days.

In Part 1 of the video, we talk to Sean about his experiences growing up in NYC and his time spent exploring the city’s underbelly with the group of young men whose nocturnal (and mostly illegal) adventures make up the artistic core of his work. He discusses his experiences growing up, the strange situations that creative adolescents can find themselves in, and the factors that led him to take his first MoMA In the Making workshop while attending public high school. Throughout it all, sprinkled between images of his art, Sean speaks candidly about the transgressive nature of his work, and how his multifaceted relationship with New York City has led him to create the art that he does in the ways that he does. (More info on Sean and his work can be found in a previous Inside/Out blog post here.)

In Part 2, Sean walks us through a selection of images from his book—sharing the stories behind the pictures, and filling us in on the adventures that characterize his practice and the characters who populate his world. It’s a fascinating look at a broad cross-section of New York City youth, all of whom come off as both completely normal and yet absolutely unique—perfect examples of the type of self-motivated, artistic teens who find their way to MoMA’s free arts programming year after year.

Check out these videos and let us know what you think, and please find a way to support emerging young artists in any way that you can.

A special party for In the Making + MoMA Teens alumni will be taking place in the Louis B. & Dorothy Cullman Education and Research Center the night of Friday, December 14, with food, drink, raffle prizes, interactive art by Babycastles, a live musical performance by SUPERCUTE!, and a special screening of John Favreau’s Elf. For more information, e-mail [email protected] Spring 2013 In the Making course applications are available now.

Special thanks to Sean Vegezzi for sitting down with us and talking about his life, Fourteen-Nineteen, and Ratking for supplying the music.

Traditionally the sixth wedding anniversary is a time for gifts of iron (or, apparently, in the United Kingdom, sugar). In December 2006, Doug Aitken handed us a trailer for his site-specific exhibition Sleepwalkers, and we launched a YouTube channel to support that. Unbeknownst to any of us, within six years we would have uploaded over 1,000 videos to YouTube and MoMA.org.

Now on View!

We are very proud to announce that MoMA has acquired a selection of 14 video games, the seedbed for an initial wish list of about 40 to be acquired in the near future, as well as for a new category of artworks in MoMA’s collection that we hope will grow in the future. This initial group, now installed for your delight in the Applied Design exhibition the Museum’s Philip Johnson Galleries, features:

Cover of Fast Forward: Modern Moments 1913>>2013

Fast Forward: Modern Moments 1913 >> 2013, published to accompany the latest exhibition in The Museum of Modern Art’s ongoing collaboration with the High Museum of Art in Atlanta, details six significant moments in art history since the beginning of the 20th century.

In the Street. 1952. USA. Photographed by Helen Levitt, Janice Loeb, James Agee

These notes accompany a series of short films about New York City in the 1950s on November 28, 29, and 30 in Theater 3.

Cinematic New York street scenes date back to the very beginnings of the medium, in the 1890s.

Roy Lichtenstein. Turkey Shopping Bag. 1964. Screenprint on shopping bag with handles. Publisher: Bianchini Gallery, New York. Printer: Ben Birillo, New York. Edition: approx. 125. Gift of Jo Carole and Ronald S. Lauder. © 2012 Estate of Roy Lichtenstein

Happy Thanksgiving!

We’ll be back on Monday, November 26.

Have a great holiday.

In the video interview above, filmmaker Raja Amari talks about the making of Buried Secrets, her second feature film set in Tunisia, which premiered at the Venice International Film Festival in 2009.

Andrew Wyeth. Christina’s World. 1948. The Museum of Modern Art, New York. Purchase. © 2012 Andrew Wyeth

In 1949 The Museum of Modern Art acquired a modest-sized landscape painting from the Macbeth Gallery on 57^th Street in New York City for $1,800—then considered a hefty sum for an artwork. The painting would go on to become one of the most recognized images in American art,