As members of the PopRally committee, the organizing group behind a program of events, concerts, screenings, and more at MoMA and MoMA PS1, we’re always thinking up ways to hold an exciting party that’s something much more than your average DJ night.

MoMA’s celebration of the landmark year 1913 continues with the sixth in a series of videos highlighting important works from 1913 in the Museum’s collection.

Kerry Downey and Douglas Paulson, two artists who use collaboration as the basis of much of their own work, are the creative forces behind this season’s In the Making course for teens titled Clubs, Gangs, and Secret Societies: The Art of Working Collaboratively. For the past six weeks, they’ve been leading their collective of NYC youths through a variety of projects and activities exploring the history and philosophy surrounding artists working together in order to create collaborative art.

Empirical examination and scientific analysis are fundamental to conservation research and treatment; conservators frequently collaborate with scientists in order to clarify specific questions: to identify materials, elucidate degradation mechanisms, or test the efficacy of conservation methods.

The Unité d’Habitation was a landmark in modern architecture and design, and one of the first attempts to create highly designed spaces for low-income families. Along with apartments, the building included a half floor reserved for merchants, a pre-school, and a rooftop playground with wading pool and gymnasium. Le Corbusier was extremely efficient in the use of space, modeling his design on that of cruise ships,

These notes accompany screenings of Andrzej Wajda’s </em>Ashes and Diamonds</a> on March 13, 14, and 15 in Theater 3.</p>

By coincidence, Andrzej Wajda turned 87 last week, becoming the first living director we have included in this series, at least to the best of my recollection.

Artist, organizer, activist—these are only a few words to describe Caroline Woolard, one of our four collaborators for Artists Experiment. Collaboration and exchange are at the center of Woolard’s practice and this season, we’re bringing these ideas to MoMA’s education programs.

How well do you know your MoMA? If you think you can identify the artist and title of each of these works—all currently on view in the Painting and Sculpture Galleries—please submit your answers by leaving a comment on this post. We’ll provide the answers next month (on Friday, April 12).

One of the underlying principles of Bill Brandt: Shadow and Light, currently on view in MoMA’s third-floor Photography Galleries, is the importance of vintage prints to understanding Brandt’s oeuvre—and by vintage print I mean a photographic print that was made around the same time as its negative. Anyone who visits the exhibition will surely be impressed by the fine quality of prints

As part of Family Programs at MoMA, we invite artists and designers represented in MoMA’s collection to share their work and engage in conversation with family audiences. During the programs, artists show images of their work, share what inspires them, and give kids a sense of what it means to be an artist day in and day out.