One of the most fascinating pieces in the current design exhibition This Is for Everyone: Design Experiments for the Common Good is a pretty dress with a classically feminine silhouette that wouldn’t look out of place at a fashionable cocktail party. But take a closer look at its supple but strangely undulating texture, and you’ll find that this frock is like no garment you have ever seen—because it was created with a printer.

Over the past few months, we’ve asked artists represented in the exhibition The Forever Now: Contemporary Painting in an Atemporal World to share their thoughts on certain works in MoMA’s collection. I have been lucky enough to tour the Museum’s galleries with three different artists to find out which pieces they found most thought-provoking, and why. (Be sure to read about the previous gallery tours.)

Media conservation is responsible for the audio, 35mm slide, performance, software, video, and film-based artworks in MoMA’s collection, caring for them in collaboration with colleagues across the Museum’s departments including Audio Visual, Curatorial, Information Technology, and Registrar. The first conservation position at MoMA was created in 1959 for a paintings conservator, and since then the Conservation Department has evolved to include specialists in sculpture, paper, photography, conservation science, and most recently media, in 2007.

Whether you’re a fan of music, cinema, architecture, or fashion, this week’s programs have some thing that will fit your interest. Here are the highlights:

How well do you know your MoMA? If you think you can identify the artist and title of each of these works from MoMA’s collection—all currently on view throughout the Museum—please submit your answers by leaving a comment on this post. We’ll provide the answers next month (on Friday, April 10).

At its core, New Directors/New Films celebrates the unexpected and cutting-edge in movie making, and the 16 short films in this year’s festival offer plenty of excitement about the future of the medium.

A notable amount of these short films experiment with modes of storytelling, at times eschewing dialogue-driven narratives altogether.

Jean Dubuffet (French, 1901–1985) dedicated years to exploring and recording the natural textures he encountered in his daily life, from the mountainous, rocky landscapes of Vence and the sandy hills of El Goléa to dewy, foggy Parisian mornings or the stars far beyond our skies. Yet his most subtle and intricate depictions of surfaces may be a group of black-and-white ink-on-paper drawings created between 1958 and 1960.

This week we finally get to welcome spring—and spend some quality time in The Abby Aldrich Rockefeller Sculpture Garden. To round out your visit, here’s what you won’t want to miss this week:

A menagerie of color and the enchanted siren call of classical raga greets visitors entering the carouseling silhouettes of Nalini Malani’s Gamepieces (2003/2009). Installed as part of the exhibition Scenes for a New Heritage: Contemporary Art from the Collection, the artwork was first conceived by Malani in 2003 for the 8th Annual Istanbul Biennial.

Last week, MoMA’s senior curator of Architecture and Design and director of R&D, Paola Antonelli, answered questions for Reddit users as part of the interview series Ask Me Anything (AMA). Having just reinstalled MoMA’s design galleries for the exhibition This Is for Everyone: Design Experiments for the Common Good—which includes several new acquisitions, including the @ symbol and the Wyss Institute’s Human Organs-on-Chips—Antonelli offered some insights into her work, MoMA’s collection, and the future of design.