Artist Olaf Breuning and designer Cynthia Rowley have teamed up to create a new body of work. In Olaf’s case, it’s a series of photos, and for Cynthia, it’s a new collection. What you get to watch in this video is girls getting cans of paint dumped on them! And it happens forty-eight times.

If you’re curious to see more, join us at MoMA PS1 for MOVE! this Saturday, October 30, and Sunday, October 31, from noon to 6:00 p.m. This two-day art and fashion explosion will be taking over all three floors of MoMA PS1’s Long Island City hub.

How well do you know your MoMA? If you think you can identify the artist and title of each of these works—all currently on view in the Museum’s fourth floor Painting & Sculpture galleries—please submit your answers by leaving a comment on this post. We’ll provide the answers—along with some information about each work—in two weeks (on Friday, November 5), along with the next Do You Know Your MoMA? challenge.

ANSWERS TO THE OCTOBER 8 CHALLENGE:

Many thanks to the Counter Space fans who contributed over the past few weeks to our Mystery Film Still Contest. We were thrilled by the speed and enthusiasm of your responses! Now we are happy to announce—and sincerely congratulate—the winner, Richard Finegan of Framingham, MA, who identified ALL of the film stills.

Zero for Conduct. 1933. France. Directed, produced, written, and edited by Jean Vigo

These notes accompany the Jean Vigo Program on October 20, 21, and 22 in Theater 3.

October 5, 1934, the day Jean Vigo succumbed to tuberculosis and leukemia at twenty-nine years and six-months of age, may have been the most tragic day in film history (perhaps rivaled only by March 11, 1931, the day F. W. Murnau died in an auto accident). Vigo was the son of a fugitive anarchist and the father of one child, three short films, and one feature.

Installation view of Projects 93: Dinh Q. Lê, by Dinh Q. Lê in collaboration with Tran Quoc Hai, Le Van Danh, Phu-Nam Thuc Ha, and Tuan Andrew Nguyen. The Museum of Modern Art. Gift of the artist, Fund for the Twenty-First Century, and Committee on Media and Performance Art Funds. © 2010 Dinh Q. Lê. Courtesy the artist; P.P.O.W. Gallery, New York; Shoshana Wayne Gallery, Santa Monica; and Elizabeth Leach Gallery. Photo: Jason Mandella

As visitors enter the Museum and ascend the grand staircase to the second floor, they’ll likely notice Arthur Young’s Bell-47D1 Helicopter hovering overhead as though in mid-flight.  Manufactured from the mid-1940s through the early 1970s, this helicopter was noted for its sleek design consisting of a seamless plastic bubble with an open frame tail. A few hundred feet away, past the Marron Atrium and inside the Projects Gallery, visitors will discover a strikingly different helicopter.

Five for Friday, written by a variety of MoMA staff members, is our attempt to spotlight some of the compelling, charming, and downright curious works in the Museum’s rich collection.

Don’t want to get squished in the crowds at MoMA while trying to sketch from your favorite work?  Feeling like you need some inspiration to get you back into drawing? Then this Five for Friday is for you.

Tomasz Sarnecki. Solidarność (Solidarity). 1989

I was raised on Westerns—The Rifleman, Hondo, Wyatt Earp, Cheyenne, and Lawman, with plenty of John Ford and Sergio Leone thrown in, and I just adored those cowboys.

Before I read MoMA’s new publication Contemporary Chinese Art: Primary Documents, if someone had asked me to identify a painting from MoMA’s collection that was of central importance to a generation of artists emerging from the Cultural Revolution in China, I’m pretty sure I would not have picked Andrew Wyeth’s Christina’s World.

Installation view of Abstract Expressionist New York: The Big Picture. Photo: Jason Mandella

Regular visitors to the Museum will have noticed that the fourth-floor Painting and Sculpture Galleries have undergone a complete reinstallation. These spaces, which are typically used to exhibit a broad survey of the Museum’s collection, are now home to Abstract Expressionist New York: The Big Picture</a>, an exhibition featuring approximately 170 paintings, sculptures, drawings, and photographs associated with the movement that put New York on the art world map more than fifty years ago.