MoMA
Foreclosed: Buying into the “American Dream”

MoMA and The Buell Center invited a series of team participants and observers who attended workshops for The Museum of Modern Art’s exhibition Foreclosed: Rehousing the American Dream, which opens in February, to reflect on the project. Here are thoughts from journalist Alex Ulam.

November 22, 2011  |  Artists, Collection & Exhibitions
Other Skies Tell Other Stories

Female pilgrims at the tomb of Bahadur Al-Naqshband, Bukhara, Uzbekistan, 2011. Photo courtesy Slavs and Tatars

Slavs and Tatars is an international collective of artists, designers, and writers, founded in 2005. Through their printed work, installations, and performance lectures, they investigate the spheres of cultural influence at work in the vastly complex regions east of the former Berlin Wall and west of the Great Wall of China.

November 21, 2011  |  Events & Programs, Family & Kids
MoMA Teens Presents: A Class With No Name

A Class With No Name: An Experiment in Studio Arts

When we polled teens last year to find out what new In the Making classes they were most interested in seeing on the schedule this fall, the most interesting suggestion that we received was that of creating a class with no set curriculum, rules, or theme.

November 17, 2011  |  Events & Programs, Film, Videos
Celebrating Pedro Almodóvar

Each year, for four years now, The Museum of Modern Art honors a filmmaker of singular importance and influence at a benefit event in support of MoMA’s Department of Film and its exhibition and collection activities. This year we looked for a cinema artist who has been a part of MoMA’s family for long stretches of their career. Pedro Almodóvar fit this description perfectly.

November 14, 2011  |  Events & Programs, Family & Kids
CLICK@MoMA: Babycastles’ Arcade

Holding one of the Johan Sebastian Joust controllers at Babycastles

For this season of In the Making, as part of our [email protected] digital media workshops for teens, we brought in the guys from the indie video game collective Babycastles to run a 10-week workshop on the amazing world of interactive technology, consoles, and video games

November 11, 2011  |  Behind the Scenes, Events & Programs
Inked Identity: MoMA Honors Veterans

Participants in the Inked Identity exhibition and Veterans Support Center staff join MoMA educator Sally Paul.

As today is Veterans Day, I’d like to share a little history about MoMA’s commitment to veterans, as well as some news about what we’re doing now. The Museum has a long history of serving veterans—dating back to the creation of the War Veterans’ Art Center

November 9, 2011  |  Behind the Scenes, Library and Archives
Dutch Connection: Conceptual Art at the MoMA Library

Jan Dibbets. Robin Redbreast’s Territory/Sculpture 1969 (detail). 1970. Publisher: Seth Siegelaub

After spending the past six months processing the Art & Project/Depot VBVR Gift as Project Cataloger at the MoMA Library, it seems timely to report on the venerable cache of materials.

November 7, 2011  |  Collection & Exhibitions, Design
Talk to Me Pixel Patterns

Installation view of title wall for the exhibition Talk to Me: Design and the Communication between People and Objects

Many of the works featured in the exhibition Talk to Me: Design and the Communication between People and Objects are represented on the title wall wallpaper as small, abstract pixel icons.

November 4, 2011  |  Do You Know Your MoMA?
Do You Know Your MoMA? 11/4/11

How well do you know your MoMA? If you think you can identify the artist and title of each of these works—all currently on view in the Painting and Sculpture and Architecture and Design galleries—please submit your answers by leaving a comment on this post. We’ll provide the answers next month (on Friday, December 2).

November 3, 2011  |  Collection & Exhibitions, Design
Word Up

I’m a big fan of words; letters and the written word to be a little more precise.  And not just the sound and meaning, but actual words—their physicality, their shape and form, and how they look. I have a nephew who was crazy for the letter “u”; specifically the lower case “u,” with serifs.