How well do you know your MoMA? If you think you can identify the artist and title of each of these works—all currently on view in the Painting and Sculpture and Architecture and Design galleries—please submit your answers by leaving a comment on this post. We’ll provide the answers next month (on Friday, March 9).

Ellen Gallagher. DeLuxe. 2004–05. Portfolio of 60 photogravure, etching, aquatint, and drypoints with lithography, screenprint, embossing, tattoo-machine engraving, laser cutting, and chine collé; and additions of plasticine, paper collage, enamel, varnish, gouache, pencil, oil, polymer, watercolor, pomade, velvet, glitter, crystals, foil paper, gold leaf, toy eyeballs, and imitation ice cubes. Acquired through the generosity of The Friends of Education of The Museum of Modern Art and The Speyer Family Foundation, Inc. with additional support from the General Print Fund. © 2012 Ellen Gallagher and Two Palms Press

Over the past six months, my conception of the medium of the print has been reinvigorated and challenged in every respect. I have been working with Sarah Suzuki, Associate Curator of Prints and Illustrated Books, on the exhibition Printin’ (opening February 15), which she cocurated with the artist Ellen Gallagher.

From left: Eugène Atget. Marchand de paniers en fil de fer. 1899–1900. Albumen silver print, printed 1978 by Chicago Albumen Works. Abbott-Levy Collection. Partial gift of Shirley C. Burden; Eugène Atget. Marchand de paniers en fil de fer. 1899–1900. Gelatin dry plate negative. Abbott-Levy Collection. Partial gift of Shirley C. Burden

Berenice Abbott. Eugène Atget. 1927. Gelatin silver print. Gift of Maria Morris Hambourg

For the first time in more than 25 years, Museum visitors will have the opportunity to enjoy a generous selection of work by the extraordinarily prolific and inventive photographer Eugène Atget (French, 1857–1927).

Jorge Colombo. Greene and Spring. 2011. Image finger-painted from life, on location, on an iPhone screen. Courtesy of the artist

Typically when drawing, painting, or printmaking an artist uses a few different materials such as paper or canvas, as well as ink, pencils, or paint.… what if all you needed to make your print was your smart phone or another gadget with a creative drawing app installed?

As part of our exciting new interactive space Print Studio, we are offering a weekly series of short talks focusing on issues related to the medium of print and the sustainability of ideas within the context of modern and contemporary art. During these Ten-Minute Talks, a variety of MoMA staff—from conservators to librarians and archivists—as well as guest artists and educators, share their expertise, offering insight on a variety of topics and a special behind-the-scenes look at MoMA’s engagement with the medium of print and selected Print Studio projects.

Our first Ten-Minute Talk features Karl Buchberg, one of MoMA’s senior conservators, who introduces the Museum’s paper and print conservation lab. Watch the talk and get a tour of the space where he and his MoMA colleagues work each day and see, up close, featured work from the upcoming Print/Out exhibition.

Every week a new video will be posted on the Print Studio blog at MoMA.org/printstudio.

In 1992, Rirkrit Tiravanija created an exhibition entitled Untitled (Free) at 303 Gallery in New York. This landmark piece, in which the artist converted a gallery into a kitchen where he served rice and Thai curry for free, has been recreated at MoMA as part of the installation Contemporary Galleries: 1980–Now on view on the second floor. This back office curry kitchen has been replicated to scale, and the artist worked with MoMA to recreate the experience, with curry prepared and served by the Museum’s restaurant staff daily from noon—3:00 p.m.

In this deceptively simple conceptual piece, the artist invites the visitor to interact with contemporary art in a more sociable way, and blurs the distance between artist and viewer. You aren’t looking at the art, but are part of it—and are, in fact, making the art as you eat curry and talk with friends or new acquaintances.

In the video above, Laura Hoptman, curator in the Museum’s Department of Painting and Sculpture, discusses the work, and visitors share their reactions. But come see for yourself, Thai vegetable curry and rice will be served through February 8 only, and the original recipe can be found in the installation.

With our own New York Giants headed to Super Bowl XLVI (that’s “46” for the non-Romans out there), many of us MoMA staffers have an especially severe case of [American] football fever. Hey, did you just roll our eyes at me? Look, buddy, you can be an art nerd and still know your Xs and Os.

Diego Rivera. Agrarian Leader Zapata. 1931. Fresco on reinforced cement in a galvanized-steel framework, 93 3/4 x 74

The focus of the exhibition Diego Rivera: Murals for The Museum of Modern Art, currently on view on the second floor, is a set of “portable murals” Rivera made for his retrospective exhibition at MoMA in 1931.

NSK Passport, 1993. Photo courtesy of IRWIN

Fancy claiming citizenship of a state in time? Wednesday–Friday, February 1–3, Print Studio will become IRWIN, NSK Passport Office, New York. NSK, which stands for Neue Slowenische Kunst, or “New Slovenian Art” in German, is a Slovenian political-art organization

Sanja Iveković. Tragedija Jedne Venere (Tragedy of a Venus). Zagreb: Galerija suvremene umjetnosti, 1976

This short account is meant to give a brisk bibliographic tour of a few routes that lead to the current MoMA Library exhibition Scenes from Zagreb: Artists Publications of the New Art Practice.