These notes accompany the screenings of Vincente Minnelli’s The Band Wagon on July 4, 5, and 6.
The Hollywood backstage musical had been a mainstay since the birth of the talkies.
The Hollywood backstage musical had been a mainstay since the birth of the talkies.

Dexter Sinister (David Reinfurt and Stuart Bailey). Ecstatic Alphabets/Heaps of Language. 2012. Exhibition catalogue (cover), 224 pages plus insert, edited with Angie Keefer. With 13 “bulletins” by Andrew Blum, Pierre-André Boutang, Chris Evans, Angie Keefer, Bruno Latour, Louis Lüthi, Graham Meyer, Francis McKee, David Reinfurt, Dexter Sinister, Ian Svenonius, Benjamin Tiven, and Jessica Winter, and an essay by Laura Hoptman. Courtesy The Serving Library
Museum educators often struggle with how to capture the impact of our programs. There are so many incredible programs offered by the MoMA Education Department for many different audiences that take the form of tours, talks, art-making classes, drop-in programs, and digital and analog games, and documenting a visitor’s experience of these ephemeral events is difficult.
How do you say “accessibility” in French? As the Community and Access Programs Twelve-Month Intern at MoMA, I had the opportunity to venture to Paris and see how museums there provide access for people with disabilities.
These notes accompany the screenings of William Wyler’s Roman Holiday on June 27, 28, and 29.
How one relates to William Wyler (1902–1981) goes a long way toward delineating how one relates to the auteur theory.

From left: Frank O’Hara, photo: Kenward Elmslie; Poet Stefania Heim reads her favorite O’Hara lunch poems in MoMA’s Abby Aldrich Rockefeller Sculpture Garden
On June 8 and 15, poet-scholars Stefania Heim and Wayne Koestenbaum shared their favorite “lunch poems” by the beloved poet Frank O’Hara—who worked on and off at MoMA from 1951 to 1966—in the Museum’s Sculpture Garden at lunchtime.
These notes accompany the screenings of Kenji Mizoguchi’s Ugetsuon June 20, 21, and 22.
My uncle, Albert Green, was an internationally acclaimed ceramicist whose work is primarily in the collection of the Morris Museum in New Jersey.
While crossing under the East River during my daily train ride on the LIRR, I recalled the train I took from Paris to London, which passed under a much larger body of water: the English Channel. In the weeks since my trip, I attempted to find a word to describe my journey, and I’ve determined that I experienced a series of crossovers
Five for Friday, written by a variety of MoMA staff members, is our attempt to spotlight some of the compelling, charming, and downright curious works in the Museum’s rich collection.
Our naive little brains all stuffed with visions of cuddling and companionship, my wife and I recently adopted an impossibly adorable pair of kittens.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Image Permissions page (www.moma.org/permissions). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2016 The Museum of Modern Art