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CATEGORY: WAIT, LATER THIS WILL BE NOTHING

Posts in ‘Wait, Later This Will Be Nothing’
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Dieter Roth’s Bunny Leaves More Than Just Chocolate and Jelly Beans

Without question, one of the most popular works in the Dieter Roth exhibition Wait, Later This Will Be Nothing, is the seasonally appropriate Bunny-dropping-bunny (Karnickelköttelkarnickel). With Easter just around the corner, jelly bean eggs and chocolate bunnies seem to be everywhere, including here in the galleries at MoMA. Read more

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Exhibiting Fluxus: Decomposition Contained in Wait Later This Will Be Nothing: Editions by Dieter Roth

The title of the exhibition Wait Later This Will Be Nothing: Editions by Dieter Roth befits a number of the works on display that are slowly decomposing in front of spectators’ eyes. This post is dedicated to one particular pocket-sized perishable—Roth’s Pocket Room (Taschenzimmer) from MoMA’s Gilbert and Lila Silverman Fluxus Collection. In 1968, Dieter Roth—who challenged the boundaries of printmaking and publishing by integrating cheese, fruit, sausage, chocolate, and other organic materials into the process—released an unlimited edition comprising a banana slice on stamped paper tucked inside of a plastic container small enough to fit into the owner’s pocket. Read more

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Dieter Roth’s “Nothing” Is Really Quite Something

Cover of the exhibition catalogue Wait, Later This Will Be Nothing: Editions by Dieter Roth, published by The Museum of Modern Art

Cover of the exhibition catalogue Wait, Later This Will Be Nothing: Editions by Dieter Roth, published by The Museum of Modern Art


Pulled from Dieter Roth’s masterpiece, Snow (1964/69), the title of MoMA’s latest book initially reads as something of a dare to stick around: Wait, Later This Will Be Nothing: Editions by Dieter Roth. Whether from the curiosity to see how it ends or the desire to possess something fleeting, this call to action sparked our appetite to consume Roth’s editions slowly in order to savor what might not last. Read more

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Wait, later this will be nothing. No really, I’ve seen it for myself.

Exhibition research often takes curators to archives, museums, private collections, and galleries. These are usually pristine spaces, where voices are hushed, light levels are low, and temperature and humidity are carefully controlled. But I experienced something very different as I investigated the work of Dieter Roth (Swiss, born Germany. 1930–1998), featured in the current exhibition Wait, Later This Will Be Nothing: Editions by Dieter Roth. Read more