Fernand Léger. Ballet mécanique. 1924

Fernand Léger Ballet mécanique 1924

  • Not on view

This film remains one of the most influential experimental works in the history of cinema. The only film made directly by the artist Fernand Léger, it demonstrates his concern during this period—shared with many other artists of the 1920s—with the mechanical world. In Léger's vision, however, this mechanical universe has a very human face. The objects photographed by Dudley Murphy, an American photographer and filmmaker, are transformed by the camera and by the editing rhythms and juxtapositions. In Ballet méchanique, repetition, movement, and multiple imagery combine to animate and give an aesthetic raison d'être to the clockwork structure of everyday life. The visual pleasures of kitchenware—wire whisks and funnels, copper pots and lids, tinned and fluted baking pans—are combined with images of a woman carrying a heavy sack on her shoulder, condemned like Sisyphus (but through a cinematic sense of wit) to climb and reclimb a steep flight of stairs on a Paris street. The dynamic qualities of film and its capacity to express the themes of a kinetic 20th-century reach a significant level of accomplishement in this early masterpiece of modern art.

Publication excerpt from Circulating Film Library Catalogue, New York: The Museum of Modern Art, 1984, p. 167.
Medium
35mm film (black and white, silent)
Duration
12 min.
Credit
Acquired from the Artist
Object number
600
Copyright
© 2018 Artists Rights Society (ARS), New York / ADAGP, Paris
Department
Film

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