In these designs for the ballet Filling Station, the artist Paul Cadmus gave vivid details to stock characters: grease-stained handprints on the character Ray’s uniform, a “slapstick” cigarette dangling from the Rich Girl’s lips, mismatched shoes and rouged knees on the Motorist’s Daughter. The transparent coveralls he imagined for the protagonist, Mac, the Filling Station Attendant, introduce a homosexual subtext, also present through the use of the prominent arrow pointing to the gas station’s “Rest Room,” a site for cruising.
Gallery label from Lincoln Kirstein’s Modern, March 17 – June 15, 2019.