Marcel Duchamp Rotary Demisphere (Precision Optics) Paris, 1925
- MoMA, Floor 5, 505 The Alfred H. Barr, Jr. Galleries
- Medium
- Painted papier-mâché demisphere fitted on velvet-covered disk, copper collar with plexiglass dome, motor, pulley, and metal stand
- Dimensions
- 58 1/2 x 25 1/4 x 24" (148.6 x 64.2 x 60.9 cm)
- Credit
- Gift of Mrs. William Sisler and Edward James Fund
- Object number
- 391.1970.a-c
- Copyright
- © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp
- Department
- Painting and Sculpture
- Marcel Duchamp has 173 works online.
- There are 1,655 sculptures online.
Installation views
We have identified these works in the following photos from our exhibition history.
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The Machine as Seen at the End of the Mechanical Age
Nov 27, 1968–Feb 9, 1969
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Dada
Jun 18–Sep 11, 2006
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Dada
Jun 18–Sep 11, 2006
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Dada
Jun 18–Sep 11, 2006
1 other work identified
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Dada
Jun 18–Sep 11, 2006
1 other work identified
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Dada
Jun 18–Sep 11, 2006
3 other works identified
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Dada
Jun 18–Sep 11, 2006
1 other work identified
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Dada
Jun 18–Sep 11, 2006
1 other work identified
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Dada
Jun 18–Sep 11, 2006
1 other work identified
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Dada
Jun 18–Sep 11, 2006
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Geometry of Motion 1920s/1970s
Mar 19–Jul 28, 2008
3 other works identified
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508: According to the Laws of Chance
Nov 14, 2020–Jan 7, 2024
7 other works identified
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508: According to the Laws of Chance
Nov 14, 2020–Jan 7, 2024
6 other works identified
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505: Living in the Age of the Machine
Ongoing
2 other works identified
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505: Living in the Age of the Machine
Ongoing
3 other works identified
In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff.
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This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Jacques Doucet (1853-1929), Paris/Neuilly [1]; by inheritance to Jeanne Roger-Doucet (Jacques Doucet's widow), Neuilly, 1929; given to Henri-Pierre Roché (1879-1959), Paris, 1930 [2]; by inheritance to Denise Roché (Henri-Pierre Roché's widow), Paris, 1959-c. 1961 [3]; Cordier & Ekstrom, New York; sold to Mary Sisler, New York, 1963 [4]; The Museum of Modern Art, New York (Gift of Mrs. William Sisler and Edward James Fund), 1970.
[1] Commissioned in 1924. See Schwarz 1997, no. 409.
[2] Scarlett et Philippe Reliquet, Henri-Pierre Roché: l'enchanteur collectionneur, Paris: Ramsay, 1999, pp. 201-02. Calvin Tomkins, Duchamp: A Biography, New York: Henry Holt, 1997, p. 295.
[3] Francis Naumann, Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, Ghent and Amsterdam: Ludion Press, 1999, p. 214.
[4] Mary and William Sisler Papers, II.4. The Museum of Modern Art Archives, New York. Included in the exhibition Not Seen and/or Less Seen of/by Marcel Duchamp/Rrose Sélavy, 1904-1964. Mary Sisler Collection, Cordier & Ekstrom, New York, January 14-February 13, 1965 (no. 75).
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