Mark Rothko. No. 5/No.  22. 1950 (dated on reverse 1949)

Mark Rothko No. 5/No. 22 1950 (dated on reverse 1949)

  • MoMA, Floor 4, 404 The David Geffen Galleries

The rectangles within this painting do not extend to the edges of the canvas and appear to hover just over its surface. Heightening this sensation is the effect of chromatic afterimage. Staring at each colored segment individually affects the perception of those adjacent to it. The red–orange center of the painting tints the yellow above it with just a bit of green. The yellow above seems to tint the orange with blue. Despite these color relationships, Rothko did not want his pictures appreciated solely for their spectral qualities. He said, "If you are only moved by color relationships, then you miss the point. I'm interested in expressing the big emotions—tragedy, ecstasy, doom."

Gallery label from Focus: Ad Reinhardt and Mark Rothko, 2008.
Medium
Oil on canvas
Dimensions
9' 9" x 8' 11 1/8" (297 x 272 cm)
Credit
Gift of the artist
Object number
1108.1969
Copyright
© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
Department
Painting and Sculpture

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