Miró created Still Life with Old Shoe in Paris over a four-month period of intense concentration, working from life for the first time in many years. The painting eschews simple categorization. It is both a still life and a landscape: the irregular back edge of the tabletop can be read as a horizon line. The objects are not to scale, and they are isolated in discrete cells, creating a formal rupture that calls to mind Miró’s work in collage. The color is acidic, highly saturated, and dissonant. For Miró this painting captured a "profound and fascinating reality."
Gallery label from Joan Miró: Painting and Anti-Painting 1927—1937, November 2, 2008–January 12, 2009.
Miró created Still Life with Old Shoe in Paris over a four-month period of intense concentration, working from life for the first time in many years. The painting eschews simple categorization. It is both a still life and a landscape: the irregular back edge of the tabletop can be read as a horizon line. The objects are not to scale, and they are isolated in discrete cells, creating a formal rupture that calls to mind Miró's work in collage. The color is acidic, highly saturated, and dissonant. For Miró this painting captured a "profound and fascinating reality."
Gallery label from 2015.