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This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.
Ambroise Vollard (1866-1939), Paris ; Claude Monet (1840-1926), Giverny, March 1896 ; by inheritance to Michel Monet (1878-1966), Giverny, 1926 ; [André Weil, Paris] . Bernheim-Jeune, Paris ; on consignment to Jacques Seligmann & Co., Paris/New York and Knoedler Galleries, London/New York, 1935 ; sold to Valentine Dudensing, New York, 1935 ; sold to William S. Paley (1901-1990), New York, 1935 ; The William S. Paley Collection at The Museum of Modern Art, New York, 1959.
 John Rewald et al., The Paintings of Paul Cézanne: A Catalogue Raisonné, New York: H.N. Abrams, 1996, no. 443 (L'Estaque, 1879-83). William Rubin and Matthew Armstrong, eds., The William S. Paley Collection, The Museum of Modern Art, New York, Feb 2-May 7, 1992, no. 14; see also p. 28.
 John Rewald et al., The Paintings of Paul Cézanne, no. 443.
 Letter Gaston and Joseph Bernheim to Germain Seligmann, September 27, 1935, Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
 Letter M. Knoedler & Co. to Jacques Seligmann & Co., September 17, 1935, Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
 Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
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