Robert Delaunay. Windows. Paris 1912

Robert Delaunay Windows Paris 1912

  • Not on view

In his Windows series, a group of twenty-two paintings made between April and December of 1912, Delaunay rejected painting’s traditional function as a window onto an imaginary world. Instead he turned to the pictorial surface as a place where the process of seeing itself could be recorded. “Without visual perception there is no light, no movement,” Delaunay wrote in the summer of 1912. “This movement is provided by relationships of uneven measures, by color contrasts, which constitute Reality.” Light and its structuring of vision, the simultaneous contrasts of colors and their steady rhythmic motion, became the subjects of Delaunay’s Windows, setting the stage for his move into abstraction. “The Windows,” he wrote, “truly began my life as an artist.”

Gallery label from Inventing Abstraction, 1910–1925, December 23, 2012–April 15, 2013.
Medium
Oil and wax on canvas
Dimensions
31 1/2 x 27 5/8" (79.9 x 70 cm)
Credit
The Sidney and Harriet Janis Collection
Object number
586.1967
Department
Painting and Sculpture

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This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection.

Private collection. Before 1948
Galerie d'Art du Faubourg, Paris. Until July 22, 1948
Sidney and Harriet Janis, New York. July 22, 1948–1967. Acquired from above
The Museum of Modern Art, New York. The Sidney and Harriet Janis Collection, 1967

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