"I paint about the things that surround me," Murray said, "things that I pick up and handle every day. That’s what art is. Art is an epiphany in a coffee cup." Just such a coffee cup, with its contents spilling forth, appears in the appropriately entitled Yikes. Standing out from the wall in relief, the ordinariness of this familiar situation is dramatized by the monumental size of the seemingly broken canvases that resist fitting back together again. Murray said that she found the process of splintering the conventional picture plane "so psychologically satisfying because I finally realized the meaning of shattering and of putting an image inside the shattered parts that would make them whole again."
If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. More information is also available about the film collection and the Circulating Film and Video Library.
If you would like to reproduce text from a MoMA publication, please email [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected].