In this picture, as in many of Álvarez Bravo's photographs, our experience begins with the theme of looking: we must wonder what it is that the girl sees, or what she seeks. It has been suggested that her awkwardly placed feet, with one foot atop the other as she stands on her toes, evokes the figures in Mexican reliefs and carvings made before the Spanish conquest, and that the girl, dressed in traditional Mexican costume, may be interpreted as representing a Mexico searching for its past through the window in the well-worn wall. Clearly, the picture was staged, and we know that the photographer has intentionally provoked our curiosity.
Photography has an inherent power to create mystery because it only describes aspects of things and never tells the whole story. In the hands of a skillful photographer, this capacity to intrigue can become the foundation of an aesthetic, a way of working. Throughout his seventy-five-year career, the Mexican photographer Álvarez Bravo consistently made deeply human photographs rife with enigma.
Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 176.